Tag Archives: Soderbergh

3 things about Steven Soderbergh’s KIMI

Posted on February 13, 2022 by robchristopher

Kimi [2022] 1. Hand sanitizing ritual. 2. Puzzle piece keychain. 3. Elderly mother knitting in the corner.

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3 things about Steven Soderbergh’s NO SUDDEN MOVE

Posted on July 4, 2021 by robchristopher

No Sudden Move [2021] 1. A goof in the scene where Bill Duke’s character is introduced: in the background we hear “Blue Pepper (Far East of the Blues),” an Ellington number that wasn’t released until 1967. 2. The sous chef … Continue reading →

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3 things about Steven Soderbergh’s LET THEM ALL TALK

Posted on February 5, 2021 by robchristopher

Let Them All Talk [2020] 1. Checking out the ship’s library to see which of her books they have. 2. “I was wondering if I could kiss you … sometime … in the near future.” 3. Thrombosis montage.

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3 things about Steven Soderbergh’s THE LAUNDROMAT

Posted on December 17, 2019 by robchristopher

The Laundromat [2019] 1. Cows and bananas. The way Gary Oldman pronounces “bananas.” 2. It’s all shells. 3. Statue of Liberty with a hairbrush.

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3 things about Steven Soderbergh’s HIGH FLYING BIRD

Posted on November 5, 2019 by robchristopher

High Flying Bird [2019] 1. A long holiday weekend without a holiday. 2. Sauna conversation. 3. “I had a real come-to-Jesus moment on this.”

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“My motto was, ‘Let the stories speak for themselves.’”

Posted on October 7, 2019 by robchristopher

I had the great pleasure of being interviewed by Matt Fagerholm for Indie Outlook. The result is a deep dive into the making of the film. Enjoy!

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3 things about Steven Soderbergh’s AND EVERYTHING IS GOING FINE

Posted on November 18, 2018 by robchristopher

And Everything Is Going Fine [2010] 1. Rubber garden hose. 2. Liking telling stories about life more than living life. 3. A veterinarian’s van.

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3 things about Steven Soderbergh’s LOGAN LUCKY

Posted on March 26, 2018 by robchristopher

Logan Lucky [2017] 1. “I am in-car-ce-re-ted.” 2. She explains churn rates to her daddy. 3. Quoting from the theme song to Alice.

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3 things about Steven Soderbergh’s UNSANE

Posted on March 23, 2018 by robchristopher

Unsane [2018] 1. “This is going to go the way you want it to.” 2. Double exposure (front of head + back of head) becomes triple exposure. Her POV: the room sideways. 3. The detective discovers the notebook in the … Continue reading →

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3 things about Steven Soderbergh’s SCHIZOPOLIS

Posted on July 28, 2017 by robchristopher

Schizopolis [1996] 1. “I don’t need to tell you how critical this is. Hometown. Pay-per-view. The eyes of the media. Here’s what I need. It should be lengthy enough to seem substantial, yet concise enough to feel breezy. It should … Continue reading →

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