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Tag Archives: new york
3 things about Laura Poitras’ ALL THE BEAUTY AND THE BLOODSHED
All the Beauty and the Bloodshed [2022] 1. A Nan Goldin slideshow double-billed with John Waters’ Desperate Living. 2. “He wanted to blind me.” 3. Forced to witness testimony via Zoom.
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Tagged 3 things, art, documentaries, john waters, movies, new york, photography
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3 things about Daisy von Scherler Mayer’s PARTY GIRL
Party Girl [1995] 1. “He-he-hello!” 2. Club kids waiting in line for falafel. 3. “How’s your upper torso?” 3 other things.
3 things about Graham Mason’s INSPECTOR IKE
Inspector Ike [2020] 1. A corpse that slaps. 2. Blanket, milk, turkey leg. 3. “On a scale of one-to-ten–” “Ten.” “–with ten meaning guilty–” “One, I meant one.” Like my own film, Inspector Ike had the misfortune of being completed … Continue reading
3 things about Woody Allen’s INTERIORS
Interiors [1978] 1. Every design recommendation she makes is more expensive than the agreed upon budget. 2. The back of his head, wintry Manhattan and the tops of skyscrapers. “I will say … it was like an ice palace.” 3. … Continue reading
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Tagged 3 things, diane keaton, movies, new york, Woody Allen
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3 things about Julien Duvivier’s TALES OF MANHATTAN
Tales of Manhattan [1942] 1. Antler room. 2. He grudgingly offers up a roar. 3. Scarecrow.
3 things about Martin Scorsese’s AFTER HOURS
After Hours [1985] 1. “Not a lot of scars.” 2. “There’s certain things that I will not do. I’m telling you in advance.” 3. “That’s June. She’s always here.” 3 other things.
3 things about Milton Katselas’s REPORT TO THE COMMISSIONER
Report to the Commissioner [1975] 1. Bob Balaban as a double amputee. 2. Carol Channing billboard. 3. Sweaty elevator.
3 things about Preston Sturges’ CHRISTMAS IN JULY
Christmas in July [1940] 1. It’s Bred in the Bean. 2. “Two can live as cheaply as one.” “Who wants to live cheaply?” 3. “Kindly cut a groove, will you?” 3 other things.
3 things about Sidney Lumet’s NETWORK
Network [1976] 1. The middle of the George Washington Bridge. 2. “I want angry shows.” 3. The sheen of his mustache in the conference room’s half-light.
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