Tag Archives: film noir

3 things about Edward Dmytryk’s CROSSFIRE

Crossfire [1947] 1. He’s a former cop from St. Louis. Four years on the East side. 2. Leroy stoops to pick up the pad of paper. The contempt on Montgomery’s face. 3. Incorrect address. 3 other things.

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3 things about Koreyoshi Kurahara’s INTIMIDATION

Intimidation [1960] 1. Beginning and ending with a train. 2. He slips on clear plastic galoshes. 3. Multiple receipts for counterfeit seals.

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3 things about Joseph Losey’s THE PROWLER

The Prowler [1951] 1. A dull library of his voice. 2. In the bedroom of the newlyweds, the sounds of traffic all night long. 3. Primitive generator. 3 other things.

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3 things about Robert Siodmak’s PHANTOM LADY

Phantom Lady [1944] 1. “You like jive? “You bet! I’m a hep kitten!” 2. The court proceedings are depicted using stenographer’s notes. 3. On a cabinet against the wall in his bedroom, a large white sculpture of two hands reaching … Continue reading

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3 things about Joseph H. Lewis’s GUN CRAZY

Gun Crazy [1950] 1. Russ Tamblyn, completely rain-drenched, lying in the street, looking up at the policeman. 2. Thick fog. Splashes. Voices. 3. Wearing a fur coat on a roller coaster. 3 other things.

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3 things about Phil Karlson’s 5 AGAINST THE HOUSE

5 Against the House [1955] 1. Cutting edge parking garage. 2. A $5 bet he’ll never collect. 3. Heavy petting while driving.

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3 things about Robert Parrish’s THE MOB

The Mob [1951] 1. John Marley as a union racketeer. 2. White wine and beer. 3. Bizarre ending in which our hero passionately kisses another man’s wife while the husband and his own girlfriend watch approvingly.

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3 things about Jacques Tourneur’s NIGHTFALL

Nightfall [1956] 1. Sock stretchers. 2. Fleeing in a ball gown. 3. An imprint in the snow where the satchel used to be.

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3 things about John Dahl’s THE LAST SEDUCTION

The Last Seduction [1994] 1. “Just go away.” “I haven’t finished charming you.” “You haven’t started.” 2. On top, in control, pounding the roof of the car. 3. Quickly wiping her fingerprints off the can of Mace.

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3 things about John H. Auer’s CITY THAT NEVER SLEEPS

City That Never Sleeps [1953] 1. “Come over here,” she says seductively. “I’ve been there,” he replies. 2. Long fter midnight. Mechanical Man performing in a storefront window to an empty street. 3. Beware the third rail.

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