Author Archives: robchristopher

3 things about Rouben Mamoulian’s LOVE ME TONIGHT

Posted on January 18, 2014 by robchristopher

Love Me Tonight [1932] 1. Three mirrored panels, each displaying a unique angle of Maurice. 2. “Don’t you think about anything but men?” “Why sure.” “What?” “Schoolboys.” 3. Slow motion horseback ride.

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3 things about Abdellatif Kechiche’s BLUE IS THE WARMEST COLOR

Posted on January 17, 2014 by robchristopher

Blue is the Warmest Color [2013] 1. Kissing, intermittent starbursts. 2. Louise Brooks projection. 3. “Excuse me, I don’t know … I don’t know … It’s beyond my control.” “You’re excused.”

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3 things about Daniel Kraus’ PREACHER

Posted on January 16, 2014 by robchristopher

Preacher [2011] 1. During his sermon, in his exuberance he drops his handkerchief. A man picks it up and, not missing a beat, he takes it back. 2. He likes to wrastle with fish. 3. A cake that says HAPPY … Continue reading →

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What it looks like.

Posted on January 12, 2014 by robchristopher

The scan of the negatives is finished. The negatives were scanned at between 2K and 3K, 2400 pixels across, using what’s called a “flat pass” approach. No color correction or adjustment, simply capturing the greatest possible detail, including the grain. … Continue reading →

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3 things about Delmer Daves’ DARK PASSAGE

Posted on January 12, 2014 by robchristopher

Dark Passage [1947] 1. POV shot from the inside of the barrel as it tumbles down the hillside. 2. Agnes Moorehead’s peculiar pyramidal hairdo. 3. Glass elevator illuminated from within.

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3 things about Archie Mayo’s THE PETRIFIED FOREST

Posted on January 12, 2014 by robchristopher

The Petrified Forest [1936] 1. Sign: TIPPING IS UN-AMERICAN/KEEP YOUR CHANGE 2. He kisses her; she swats him away like a fly. 3. “Have a drink, my colored brother.”

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3 things about Joel & Ethan Coen’s INSIDE LLEWYN DAVIS

Posted on January 11, 2014 by robchristopher

Inside Llewyn Davis [2013] 1. A box of Chef Boyardee Cheese Pizza. 2. “Where were we?” “You were saying I was careerist, and I was saying you were a loser.” 3. A long pause. “I don’t see a lot of … Continue reading →

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Easy come, easy go.

Posted on January 10, 2014 by robchristopher

“There were bars for cruising and bars for conversation, but in either kind of bar the restless hunt for something besides conversation gave friendships an ephemeral fluidity that alcohol rendered even looser and more transient. You could ‘know’ many people … Continue reading →

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3 things about Michael Haneke’s CACHE (HIDDEN)

Posted on January 9, 2014 by robchristopher

Caché [2005] 1. Behind him a wall of books, all blank, all dummies. Set dressing. 2. To kill time until she gets home, he idly watches news reports of international atrocities. 3. Majid takes a razor from his pocket; Georges … Continue reading →

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3 things about Howard Hawks’ THE BIG SLEEP

Posted on January 7, 2014 by robchristopher

The Big Sleep [1946] 1. “Then she tried to sit in my lap while I was standing up.” 2. She briefly hikes her shirt to scratch an itch. 3. A line of bulletholes sprout in a horizontal line across the … Continue reading →

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