Author Archives: robchristopher

3 things about John Bailey’s THE SEARCH FOR SIGNS OF INTELLIGENT LIFE IN THE UNIVERSE

The Search for Signs of Intelligent Life in the Universe [1991] 1. “I always wanted to be somebody. But now I realize I should have been more specific.” 2. A cardboard disc which reads THIS BUTTON HAS BEEN RECYCLED. 3. … Continue reading

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3 things about Michael Winner’s SCORPIO

Scorpio [1973] 1. Exploding, collapsing wooden scaffolding. 2. Burt impersonates a Black priest. 3. Fake suicide capsule. I have never, ever liked a film directed by Michael Winner. And while I can’t say it’s a “good” movie, I came closer … Continue reading

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3 things about Lewis Allen’s ILLEGAL

Illegal [1955] 1. A poison that takes 45 minutes to work. 2. Storefront: DALE’S RECORD SHOP 3. Deathbed confession that arrives too late.

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3 things about Bong Joon Ho’s MICKEY 17

Mickey 17 [2025] 1. The tail becomes a sauce. 2. An accent somewhere between Bobby Brady and Columbo. 3. Sex expends too many calories.

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3 things about Paul Wendkos’ GIDGET

Gidget [1959] 1. She’s reluctant to strip down to her bathing suit; one of her friends commands: “Peel, girl!” 2. Breast-enhancing exercises. 3. When The Four Preps pop in to perform “Cinderella” at the luau, it’s the squarest, corniest, whitest … Continue reading

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3 things about Jean Renoir’s FRENCH CANCAN

French Cancan [1955] 1. An afternoon tryst in the backroom of the boulangerie. 2. Taking turns showing off their newfound limberness. 3. Pepto-Bismol walls backstage.

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3 things about Steven Soderbergh’s OUT OF SIGHT

Out of Sight [1998] 1. She silently enters the bathroom, spots him, makes an appraisal. 2. Reading glasses perched on Dennis Farina’s nose. 3. “I just want to know what happens next.” “You know.” 3 other things.

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3 things about Danny Boyle’s 28 DAYS LATER

28 Days Later [2002] 1. Their note. “Don’t wake up.” 2. Fleeing rats. 3. “I promised them women.”

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3 things about Aaron Wertheimer’s WEDGERINO

Wedgerino [2015] 1. When something’s cooler than cool, it’s beige. 2. A round of private conversations. 3. “I’m Lisa. People call me ‘Sa for short.”

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3 things about Jean Rouch & Edgar Morin’s CHRONICLE OF A SUMMER

Chronicle of a Summer [1961] 1. “I paint to understand the painting of others.” 2. A long pause. “If I only knew.” 3. Several minutes go by after we first see the tattoo before it is explained to us what … Continue reading

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