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Category Archives: Uncategorized
3 things about Noel Marshall’s ROAR
Roar [1981] 1. Davey doesn’t want to leave the house. 2. “Oh God, look what the cat dragged in.” 3. The unexpectedly sensual image of an unconscious ‘Tippi’ Hedren in closeup as liquid honey pours onto her head and coats … Continue reading
3 things about Richard Ayoade’s THE DOUBLE
The Double [2013] 1. “Sukiyaki” on the jukebox. 2. Bent over to spy through a hole in the kitchen’s service door. 3. “Give Rudolf his arm back!”
3 things about Norman Jewison’s MOONSTRUCK
Moonstruck [1987] 1. Vicki Carr. 2. Kiss. “Wait a minute, wait a minute!” Kiss. 3. Sharing oatmeal in the kitchen.
3 things about Saul Bass’ PHASE IV
Phase IV [1974] 1. Triple flesh-tunnels. 2. Combating yellow with adaptation to yellow. 3. Rows of holes, from which dirt is pouring. 3 other things.
3 things about Otto Preminger’s ADVISE AND CONSENT
Advise & Consent [1962] 1. He hands him the newspaper. “How do you feel about this lollapalooza?”2. The shocking moment when Gene Tierney utters the word “bitch.”3. Slowly, over the course of the film, Leffingwell, a man of genuine integrity, … Continue reading
3 things about Lewis Gilbert’s DAMN THE DEFIANT!
Damn the Defiant! [1962] 1. “Get those wretched women off the ship!” 2. Bread with maggots and worms. 3. Passing by, he cuts the rope and causes the body to plunge into the sea.
3 things about Robert Parrish’s THE MOB
The Mob [1951] 1. John Marley as a union racketeer. 2. White wine and beer. 3. Bizarre ending in which our hero passionately kisses another man’s wife while the husband and his own girlfriend watch approvingly.
3 things about Fred Newmeyer & Sam Taylor’s THE FRESHMAN
The Freshman [1925] 1. Crossword puzzle. 2. Taking back the $10. 3. Replacement sweater.
3 things about Kiyoshi Kurosawa’s CURE
Cure [1997] 1. The sound of an empty washing machine. 2. An abrupt darkening of the room. On the ceiling above his head, a black spot appears. 3. Silently, the waitress picks up a knife and walks across the room.
3 things about Alfonso Cuarón’s GREAT EXPECTATIONS
Great Expectations [1998] 1. Completely nude, she stands in front of the window and looks into the building across the street at a little girl and her mother. 2. The last time we ever see her, she’s not wearing makeup. … Continue reading
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