Category Archives: Uncategorized

3 things about Hong Khaou’s LILTING

Lilting [2014] 1. Crying. Snotty beard. 2. He plucks a hair from Kai’s nipple, puts it in his mouth. 3. She sits alone at the table, listening to him move around upstairs. She passes a hand across her forehead.

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3 things about Ranald MacDougall’s QUEEN BEE

Queen Bee [1955] 1. Telephone cord as lasso. Or noose. 2. “I don’t like the light. Put it out.” He snarls, “I know what you like and don’t like!” 3. Cold cream all over the mirror. Shades of Diane Ladd … Continue reading →

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3 things about Terry Gilliam’s THE ZERO THEOREM

The Zero Theorem [2013] 1. He matches the drapes. 2. A vault of vials. 3. The head of Christ is a surveillance camera.

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3 things about Vincent Sherman’s HARRIET CRAIG

Harriet Craig [1950] 1. While talking on the phone, she presents her feet to Clare so that she can put her shoes on for her. 2. “Yes, I know you now. I don’t like you.” 3.  A severe hairstyle, the … Continue reading →

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3 things about Werner Herzog’s FITZCARRALDO

Fitzcarraldo [1982] 1. Champagne for the horses. 2. He unties the captain. “Now we really need some Italian opera. Don’t you agree?” 3. The scenery, stowed in various boats and canoes, floats down the river.

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A 3 Things anniversary.

Seven years ago today I wrote my very first 3 Things entry. Several hundred (or thousand?) movies later, the project is still going strong. Will my dreamed-of book every materialize? (Rhetorical question.)

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On feedback and criticism.

The feedback that every filmmaker hates and yet needs to hear goes something like this: “Your movie is wonderful! But … what if you rethought the whole project, took a completely different tack and overhauled it?” Whether you (reluctantly) agree … Continue reading →

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3 things about Philip Kaufman’s THE UNBEARABLE LIGHTNESS OF BEING

The Unbearable Lightness of Being [1988] 1. A tangled embrace on top of the mirror. 2. “There’s only one thing. He doesn’t like my hat.” 3. The dog and the pig rest together peacefully on the ground.

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3 things about Billy Wilder’s DOUBLE INDEMNITY

Double Indemnity [1944] 1. “Alright, turn the record over, let’s hear the other side.” 2. Going to the drugstore at 11 o’clock to get something to eat. 3. She shoots him from across the room; he shoots her up close.

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“Diary,” an excerpt from PAUSE OF THE CLOCK

This clip stars Dylan Lorenz and yours truly, and features “No One Dreams Anyway,” music by Kill Hannah. “Diary,” an excerpt from PAUSE OF THE CLOCK from Rob Christopher on Vimeo.

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