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Category Archives: Uncategorized
It’s a drab day. Bit of a comedown from yesterday. The weather was gorgeous but I wore the wrong kind of shoes, so I didn’t walk all the way home from work as I’d planned. I’m not sure why my … Continue reading
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3 Things
Dead Ringers [1988] 1. "Pain creates character distortion. It’s simply not necessary."2. The sharp point of the instrument glides along his abdomen. Cut to Elliot, the sound of a puncture, he winces. Cut. A stream of blood trickles through the … Continue reading
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I’ve fulfilled my life’s ambition and become a catalog model.
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3 things about Lewis Gilbert’s THE SPY WHO LOVED ME
The Spy Who Loved Me [1977] 1. Bond ogles the girl. “When one is in Egypt, one should delve deeply into its treasures.” 2. Stromberg’s iridescent suit: blackpurple. 3. When the Lotus emerges from the water, Bond rolls down his … Continue reading
The Passion of the Christ
From my piece at CINE-FILE: A work in which a single point is driven into the skulls of the audience again and again and again. But viewed as cultural artifact instead of as cinema, the movie is slightly more interesting. … Continue reading
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3 things about Luis Buñuel’s THE EXTERMINATING ANGEL
The Exterminating Angel [1962] 1 Two of the guests are talking. Something smashes a window. “Must be a passing Jew,” says one of the men, cheerfully. 2. With an electric razor he absentmindedly shaves his leg. 3. A hacksaw slices … Continue reading
3 things about Howard Hawks’ TO HAVE AND HAVE NOT
To Have and Have Not [1944] 1. “Cut out the baby talk.” 2. After the interrogation they go across the street to the Bar du Zombie. However, neither has any money to buy a drink. 3. He fires the gun … Continue reading
Strange Interlude
I just saw it. Only one more performance left! Tomorrow (Sunday). See it! You’ll never get another chance. Some of it: A character played entirely by a Cabbage Patch Kid One of the play’s nine acts consists almost entirely of … Continue reading
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aphorism
Usually a film tells a story better when it doesn’t tell the whole story. Which is why any film that’s bloated with backstory is already on a course to fail.
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