3 things about Rainer Werner Fassbinder’s FOX AND HIS FRIENDS

Fox and His Friends [1975]

1. In this film from 1975, one guy asks another guy, “What are you into?” So basically, cruising hasn’t changed in 45 years.
2. A gay bar named The Black Orchid.
3. The car salesman says, “Do I look like a Jew?”

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Must be something in the water

Folks in the UK have really been connecting to my film Roy’s World: Barry Gifford’s Chicago! I was really blown away to read this new review, “A Beautiful City Symphony,” on The Film Stage, written by Logan Kenny, who saw the film in Glasgow. Here’s a quote:

It’s a documentary less interested in the historical beats as much as it is the people affected by them. Gifford’s work is used as a conduit to discuss the prominence of racism, crime, and poverty throughout Chicago’s history, in a way that always feels invigorating and not didactic … So much of the film seems to be about the ability of art and design to transcend its original intentions, becoming special and preserved in the hearts and souls of millions of different citizens. It’s a film not about the nature of creation, but about the wonderful aftermath that the work brings, and the deep satisfaction of knowing that you’re a part of that continuation in any small way. It’s beautiful and more in spirit with the work of its subject than any potential talking heads documentary could have ever been.

And just before the film’s “virtual screening” as part of the Cheltenham International Film Festival (beginning this Friday, June 12), I had the pleasure of speaking with Jennie Kermode at Eye for Film.

Cheltenham International Film Festival logo

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3 things about Josephine Decker’s SHIRLEY

Shirley [2020]

1. “I don’t smote.”
2. Fire sparks become snowflakes.
3. Personal tureen of mashed potatoes.

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3 things about Jacques Tati’s MON ONCLE

Mon Oncle [1958]

1. Sunlight-activated canary.
2. Bouncing pitcher.
3. He hands the man his hat, overcoat, and umbrella before punching him in the face.

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3 things about John Waters’ PECKER

Pecker [1998]

1. “My Liza Minnelli CDs are gone!”
2. Cindy Sherman offers the child a Valium.
3. Sex in the voting booth.

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3 things about Jafar Panahi’s TAXI

Taxi [2015]

1. “Those films have already been made, those books have already been written. You must look elsewhere.”
2. Goldfish in a plastic bag.
3. A final theft.

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3 things about Thom Eberhardt’s NIGHT OF THE COMET

Night of the Comet [1984]

1. “Reggie, I’m not giving you $15 for making it with me.”
2. Carsick without her bunny.
3. Throwing all the guns away.

3 other things.

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3 things about John Carpenter’s DARK STAR

Dark Star [1974]

1. Sneakers so worn down they almost have holes.
2. The knife game from Alien.
3. Riding the waves one last time.

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3 things about Delmer Daves’ 3:10 TO YUMA

3:10 to Yuma [1957]

1. A stick in the corner to prop open the window.
2. Bouncing off a roof on the way to the ground.
3. No one else seems to hear the thunder.

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Good news. June 12.

It’s hard to believe that it’s been more than three months since my film Roy’s World: Barry Gifford’s Chicago made its debut at the Glasgow Film Festival. It kind of feels like a hundred years ago, doesn’t it? The world of film exhibition, along with every other aspect of “normal” life, has been in a state of suspended animation because of the COVID-19 pandemic. But filmmakers and film festivals have been doing their best to counter adversity with innovation.

Cheltenham International Film Festival logo

I’m really thrilled to announce that Roy’s World: Barry Gifford’s Chicago will be included in an online edition of the Cheltenham International Film Festival, streaming on Friday, June 12. What made us decide to participate in such an endeavor? For starters, although sitting in a cinema with a big screen is obviously the way I’d prefer everyone to experience the film, that’s not feasible right now; but movies, and the way they broaden our horizons while simultaneously refreshing our brains, are in my view more important than ever. (Bingeing great movies is one of the things that has helped me stay in one piece these last several months!) I still want to find ways to get the film out there.

Secondly, the festival organizers have taken a number of steps to replicate a festival experience. Tickets for Roy’s World are on sale now. However: only UK viewers can watch the film (geoblocking is in place to disable all non-UK purchases), there are a limited number of tickets available, and access to the film expires 48 hours after purchase. It’s by no means the same as seeing it in person at a film festival, but it’s still a really cool way to share the film! Friday, June 12 is the official screening date; that evening, ticketholders are invited to participate in a live Q & A webcast, featuring myself along with Barry Gifford, and contribute questions via chat.

I really hope that folks in the UK will join us for this exciting experiment in virtual cinema. And to all those in the US who have been patiently waiting to see the film: stay tuned …

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