The Big Knife [1955]
1. “Never underestimate a man just because you don’t like him.”
2. Backscratcher as seduction tool.
3. Fake hearing-aid.
The Big Knife [1955]
1. “Never underestimate a man just because you don’t like him.”
2. Backscratcher as seduction tool.
3. Fake hearing-aid.
Roar [1981]
1. Davey doesn’t want to leave the house.
2. “Oh God, look what the cat dragged in.”
3. The unexpectedly sensual image of an unconscious ‘Tippi’ Hedren in closeup as liquid honey pours onto her head and coats her face.
Whoa.
The Double [2013]
1. “Sukiyaki” on the jukebox.
2. Bent over to spy through a hole in the kitchen’s service door.
3. “Give Rudolf his arm back!”
Moonstruck [1987]
1. Vicki Carr.
2. Kiss. “Wait a minute, wait a minute!” Kiss.
3. Sharing oatmeal in the kitchen.
Phase IV [1974]
1. Triple flesh-tunnels.
2. Combating yellow with adaptation to yellow.
3. Rows of holes, from which dirt is pouring.
Advise & Consent [1962]
1. He hands him the newspaper. “How do you feel about this lollapalooza?”
2. The shocking moment when Gene Tierney utters the word “bitch.”
3. Slowly, over the course of the film, Leffingwell, a man of genuine integrity, becomes irrelevant.
Still can’t get over that gay bar scene. 3 other things.
Damn the Defiant! [1962]
1. “Get those wretched women off the ship!”
2. Bread with maggots and worms.
3. Passing by, he cuts the rope and causes the body to plunge into the sea.
The Mob [1951]
1. John Marley as a union racketeer.
2. White wine and beer.
3. Bizarre ending in which our hero passionately kisses another man’s wife while the husband and his own girlfriend watch approvingly.
The Freshman [1925]
1. Crossword puzzle.
2. Taking back the $10.
3. Replacement sweater.
Cure [1997]
1. The sound of an empty washing machine.
2. An abrupt darkening of the room. On the ceiling above his head, a black spot appears.
3. Silently, the waitress picks up a knife and walks across the room.