3 things about John Glen’s A VIEW TO A KILL

A View to a Kill [1985]

1. Beach Boys in Siberia.
2. Loaded with rock salt.
3. The touching way she cries, “Jenny!”

3 other things.

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3 things about Michael Rymer’s QUEEN OF THE DAMNED

Queen of the Damned [2002]

1. Motion-activated columns of fire.
2. “How did you manage to slip through the 1950s in red velvet?”
3. Bleeding family tree.

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3 things about Andrew Niccol’s ANON

Anon [2018]

1. Reality, augmented reality: two aspect ratios
2. DFE. Delete Fucking Everything.
3. A flat packed with rats.

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ROY’S WORLD is a grant finalist!

I’m thrilled to announce that Roy’s World: Barry Gifford’s Chicago is a Roy W. Dean Grant Summer 2018 Finalist! Only 17 projects made the cut. I’ll keep you posted …

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3 things about Brian G. Hutton’s THE FIRST DEADLY SIN

The First Deadly Sin [1980]

1. The doorman’s doggy do bag handler tool.
2. Inside the precinct house, a WET PAINT sign tacked on the doorframe.
3. Plastic sheeting crackling in the wind.

Quintessential New York City movie: it’s an expensive, filthy hellhole and everyone is incessantly complaining about something or another.

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3 things about Ryan Coogler’s BLACK PANTHER

Black Panther [2018]

1. A hidden casino redolent of the one in Skyfall.
2. Only the driver’s seat and steering wheel intact.
3. Battle rhinos.

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3 things about Stuart Rosenberg’s THE DROWNING POOL

The Drowning Pool [1975]

1. French Quarter = shorthand for “he’s gay.”
2. “How’d you like to help me put on some suntan lotion?”
“Won’t help honey, you’re gonna be burned out by the time you’re 30.”
3. Preparing the food, dumping it overboard for the fishes.

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Meet ROY’S WORLD Executive Producer Scott Greene

Hailing from Skokie, Scott Greene is a cinephile through and through. I wanted to introduce him — he’s an integral member of the Roy’s World team and we’re delighted to have him on board!

What’s your earliest movie-going memory?

A double feature of a Zorro film and Star Wars: The Empire Strikes Back. I remember only one moment from the first: Zorro breaks a man out of a prison cell, and scratches a “Z” into the stone for the man’s captors to find. Since I was rather young at the time, most of my early memories of Empire have been replaced by more recent ones. But I know just how important Star Wars was to me, like many other kids my age and older. The film remains one of my all-time favorites.

Which upcoming movies are you most looking forward to seeing this fall?

So many! Joel and Ethan Coen are due to release The Ballad of Buster Scruggs, I believe. Steve McQueen’s new crime drama Widows looks very intriguing. Christian Bale is playing Dick Cheney in Adam McKay’s (The Big Short) new movie Backseat, which also stars the incredible Sam Rockwell as Dubya. I’m also interested in Yorgos Lanthimos’ The Favourite, Alfonso Cuarón’s Roma, Damien Chazelle’s First Man, The Hate U Give from George Tillman, Jr., Bad Times at the El Royale from Cabin in the Woods director Drew Goddard, and the new documentary on Quincy Jones. Inglorious Basterds star Melanie Laurent has directed a film called Galveston, starring Ben Foster, who’s been on quite the run of good films lately. Robert Rodriguez, Robert Zemeckis and Shane Black all have crowd-pleasers on deck, I rarely miss a movie from any of them.

What’s your favorite film set in Chicago?

Probably Jupiter Ascending … thank you, I’m here all week. If I have to pick a favorite, that might be the legal thriller Primal Fear. No actor since Alan Rickman in Die Hard has made a stronger first impression on me than Edward Norton in that potboiler. But I also can’t ignore the Burt Reynolds/Kathleen Turner/Christopher Reeve comedy Switching Channels, which I’ve loved since I was a kid. Honorable mentions: Stir of Echoes with Kevin Bacon, Henry: Portrait of a Serial Killer, Drinking Buddies, Stranger Than Fiction, Rookie of the Year … and The Fugitive ain’t half bad, either.

Which aspects of Chicago history do you find most intriguing?

Anything related to public transportation, as I rarely drive through the city but have ridden buses and trains every week for the last twenty years. The evolution of the various elevated lines and bus routes is something I’ve kept a close eye on during my adulthood, but looking back at how those systems got underway during the post-Great Fire years is truly fascinating. And of course, I have a keen interest in Chicago’s film history as well.

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3 things about Akira Kurosawa’s MAADADAYO

Maadadayo [1993]

1. The frost on the empty glass of beer.
2. Twin cat memorials at the edge of the garden.
3. The final shot uses digital video instead of film.

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3 things about Irvin Kershner’s NEVER SAY NEVER AGAIN

Never Say Never Again [1983]

1. High collar, ruffles, black cape.
2. “I slit your throat.” Smile.
3. Fail: Max von Sydow’s supplementary accent. (His voice is already magnificent so why’s he need another one?)

3 other things.

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