Hamilton Special Daiquiri.

Ed Hamilton has brought the US a number of special rums over the years. This recipe, the final result of much tinkering, is designed to spotlight two of them. Enjoy!

photo of an Ed Hamilton Special Daiquiri

HAMILTON SPECIAL DAIQUIRI

2 oz. Hamilton Guyana Rum
.5 oz. Hamilton Jamaican Pot Still Gold Rum
.75 oz. freshly squeezed lime juice
.25 oz. simple syrup
.25 oz. honey syrup
5 drops ‘Elemakule Tiki Bitters

Shake with plenty of ice until very, very, very cold. Strain into a chilled cocktail glass.

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3 things about Robert Altman’s POPEYE

Popeye [1980]

1. Me Pap, Me Son.
2. A House of Ill Repuke.
3. Flying octopus.

3 other things.

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3 things about Spike Lee’s BLACKKKLANSMAN

BlacKkKlansman [2018]

1. Polaroid.
2. Free at last.
3. Corn oil.

Powerful.

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3 things about Stanley Kubrick’s BARRY LYNDON

Barry Lyndon [1975]

1. A plugget of tow.
2. “I volunteer.”
3. A toy carriage pulled along by two sheep.

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3 things about Ingmar Bergman’s AUTUMN SONATA

Autumn Sonata [1978]

1. “A mother and a daughter. What a terrible combination of emotions and confusion and destruction.”
2. Glowing green eyes. Red-rimmed eyes.
3. He closes the envelope but does not seal it.

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3 things about John Glen’s FOR YOUR EYES ONLY

For Your Eyes Only [1981]

1. “I adore grateful men.”
2. He smuggles pistachios.
3. They plunge through the stained glass window.

3 other things.

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3 things about Peter Hyams’s 2010

2010 [1984]

1. Dusty hull.
2. Red calculator.
3. “I understand now, Dr. Chandra. Thank you for telling me the truth.”
“You deserve it.”

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3 things about George Cukor’s KEEPER OF THE FLAME

Keeper of the Flame [1943]

1. A junior-sized football.
2. “But I didn’t warn him. Because it came to me. A clean death in the rain was the best thing that could happen to Robert Forrest.”
3. Smoke swirling around them, he almost kisses her. Almost.

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3 things about Freddie Francis’s TROG

Trog [1970]

1. A sort of jumpsuit/smock with lapels on both the front and back.
2. Dinosaur flashback.
3. Impaled on a stalagmite.

Oh, Joan. She really should have called it a day after Night Gallery. What an amazingly poor, ineptly written film.

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3 things about Robert Mulligan’s INSIDE DAISY CLOVER

Inside Daisy Clover [1965]

1. Evening. Near the beach. Sitting outside at a card table with a small lamp on it. The breeze stirs the ribbon in her hair. A worried look on her face.
2. Looping breakdown. ADR booth, film loop, the screen as a prison. Near silence but for the rumbling marimbas.
3. “That’s the new lover. I didn’t get his name, but he sounds charming. Your husband never could resist a charming boy.”

It doesn’t quite work … but it really has something

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