The Territory [2022]
1. Encroaching on the territory is merely “freeing the land.”
2. They set fire to the forest and ride away.
3. Age 18 and the leader of his people.
The Territory [2022]
1. Encroaching on the territory is merely “freeing the land.”
2. They set fire to the forest and ride away.
3. Age 18 and the leader of his people.
Smiley Face [2007]
1. Her internal voice is Roscoe Lee Browne.
2. “It makes me feel like, yeah, my teeth are being taken care of.”
3. Manifesto raining all over town.
How to Make Millions Before Grandma Dies [2024]
1. Putting your shoes in line.
2. Caught red handed with the security camera.
3. No beef but plenty of pork.
Dead Ringers [1988]
1. “I’ve never used contraceptive devices. I’ve never even thought contraceptive thoughts.”
2. Gold-plated instrument.
3. Elly, Elly, Elly, Elly, Elly …
When Time Ran Out… [1980]
1. Manual cable wench.
2. Lava bomb mirror smash.
3. Burgess Meredith as superhero!
Dead Presidents [1995]
1. He buries the memento.
2. OD during Soul Train.
3. Radioing for the bus schedule.
King of the Hill [1993]
1. He misses out on three hot dogs.
2. Shooting marbles, smashing marbles.
3. “Don’t you want to say hello to your mother?”
The Room Next Door [2004]
1. Pink snow.
2. A copy of Erotic Vagrancy. Later, she asks the policeman if he’s ever read it.
3. Stretched out on the same chaise as her mother, dressed entirely in white.
Hangmen Also Die! [1943]
1. He notices her reflection in a puddle.
2. Nazi with a pimple.
3. Implicated by his gold cigarette lighter.
Mothers’ Instinct [2024]
1. He justifies his behavior by complaining about “too many Mai Tais” the night before.
2. Conveniently labeled PHARMA-KEY.
3. Shakycam at the beach.
Mounting a story with this many contrivances, there are only two fruitful approaches: frosty and clinical (like Haneke) or hothouse camp (Araki by way of Ozon). This film avoids either extreme and is a tonal mess, a “heartfelt” examination of grief one moment, a would-be paranoia thriller the next. The overuse of shaky cam, for no discernable reason, also serves to torpedo any credibility it might have as an early 1960s period piece. And in terms of dialog, I didn’t believe for a moment that these characters were actually from that time and place.
Hathaway and Chastain can’t be faulted (both are well cast) but this film doesn’t offer them any support. What a drag.