3 things about Richard Lester’s PETULIA

Petulia [1968]

1. Hotrodding nuns in the parking garage.
2. Filthy hospital room.
3. Little boxes, on the hillside.

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3 things about George Cukor’s PAT AND MIKE

Pat and Mike [1952]

1. Changing into a skirt in the back seat of an open convertible.
2. Alfalfa as a busboy.
3. “I can’t handle this in my head. It rocks me.”

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Lilli Carré joins ROY’S WORLD

Since Roy’s World: Barry Gifford’s Chicago is centered on childhood and what it’s like to see the world from a child’s point of view, it seemed entirely fitting to include animation. So I am thrilled to announce that artist Lilli Carré will be contributing animated segments to the documentary. Her films have shown in festivals throughout the US and abroad, a still from WHAT, a video by LILLI CARRÉ including the Sundance Film Festival, the Edinburgh International Film Festival, Animator Festival Poznan Poland, European Media Arts Festival, The Ann Arbor Film Festival, International Festival Rotterdam, and the Punto y Raya Film Festival. In 2010 she co-founded the Eyeworks Festival of Experimental Animation, which is held annually in Chicago, LA, and NYC, with additional curated programs presented internationally throughout the year. Her comics and illustration work has appeared in the New Yorker, The New York Times, Best American Comics, and Best American Nonrequired Reading. Solo exhibitions of her drawing, animation, and sculpture have shown at the Museum of Contemporary Art Chicago, Western Exhibitions, and the Columbus Museum of Art.

In other words, she’s amazing. And amazingly versatile. WHAT is a piece she did that I’m especially fond of. I am really excited to be including her work in the film!

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3 things about Richard Brooks’s CAT ON A HOT TIN ROOF

Cat on a Hot Tin Roof [1958]

1. “What is the victory of a cat on a hot tin roof?”
“Just stayin’ on it, I guess. Long as she can.”
2. Brown cashmere robe.
3. She obediently locks the bedroom door.

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3 things about Jack Smight’s HARPER

Harper [1966]

1. “The bottom is loaded with nice people, Albert. Only cream and bastards rise.”
2. The instrumentation of the rock band onscreen is a complete mismatch with the groovy music on the soundtrack, which includes a horn section.
3. Smashed to death on a heap of junked propellers.

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3 things about John Woo’s FACE/OFF

Face/Off [1997]

1. She’s honestly going to keep her diary in an unlocked desk drawer where just anyone, including her own husband and daughter, can read it?
2. “Do you have protection?”
3. An invading flock of pigeons.

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3 things about Robert Towne’s TEQUILA SUNRISE

Tequila Sunrise [1988]

1. “I’m under the weather. Heavily.”
2. Herradura ad on the back of the bus.
3. Sanborn’s sex sax.

Mel Gibson’s American accent is as unconvincing as pretty much everything else about this movie. However, as a time capsule of the 1988 Hollywood product line it’s priceless.

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3 things about Akira Kurosawa’s THE HIDDEN FORTRESS

The Hidden Fortress [1958]

1. He gives them five bars of silver for the horse.
2. “They’re all inferior but choose one.”
3. The soldiers flee and are immediately shot by their own troops.

3 other things.

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3 things about Elia Kazan’s PANIC IN THE STREETS

Panic in the Streets [1950]

1. Coffee warehouse chase.
2. Fitch and Blackie take turns cradling Poldi.
3. Irritating, unwanted advice from the neighbor.

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3 things about Robert De Niro’s THE GOOD SHEPHERD

The Good Shepherd [2006]

1. Hearing aid in the bottom of his teapot.
2. Two pairs of identical black shoes, smartly polished.
3. Spiraling towards the rainforest floor.

Where’s John le Carré when you need him?

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