INARTICULATENESS: a poem about Luis Buñuel

INARTICULATENESS

Buñuel sat day
after day outside.
Smoking cigarettes, one following another.
Shot after shot of
espresso. Quietly waiting
for the ideas to come.
Coming, as he did, from the cafe
society of Barcelona,
he had little use for Los Angeles.
The automobiles going past
were like houseflies too big
to swat.

When one has nothing
to say, how does one say it?
What then? And if someone is willing
to pay him for his skilled silence,
what then? Is it
unethical?

He sat thinking.
The darkness of the cinema
encourages us to dream. The heat and light
of the endless street, the eternally empty
sidewalks and tectonic pavement plates
encourage nothing. They give courage
to nothing. Fastening mankind
into the shackles of women,
binding women
into the vices of men.

Day after day
Buñuel sat outside.
Los Angeles. Quiet.
Waiting for the ideas
to come.

September 1999

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3 things about Howard Alk’s THE MURDER OF FRED HAMPTON

The Murder of Fred Hampton [1971]

1. “Do you dig the credit union?”
2. Hanrahan: “Does anybody have a sensible question?”
3. A blood-splattered copy of Eric Dolphy’s Out to Lunch.

Riveting, a classic, another sobering reminder of how little has changed.

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3 things about John Boorman’s POINT BLANK

Point Blank [1967]

1. Dried white crusts on her lips. An empty bottle of pills on the dresser.
2. He looks down at the empty bed. It triggers that memory of Lynne.
3. Dips his fingers into the pool. “Ice cold, Bill.”

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3 things about Vincente Minnelli’s THE SANDPIPER

The Sandpiper [1965]

1. She pushes her hair back with the handle of her paintbrush.
3. “I want you Laura. I want you.” She’s speechless, stunned. Without another word he turns and leaves the house.
2. They lie on a green blanket on top of a red blanket. Greenish light in the background.

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3 things about Denis Villeneuve’s BLADE RUNNER 2049

Blade Runner 2049 [2017]

1. Four hands caressing the back of his neck.
2. He pours some whiskey on the floor for his dog.
3. A large dent in his thumbnail.

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3 things about Charles Barton’s ABBOTT AND COSTELLO MEET FRANKENSTEIN

Abbott and Costello Meet Frankenstein [1948]

1. Inadvertent surrealism: the whole thing takes place in Florida.
2. “And I wish you’d stop trying to put those ideas in this boy’s head! He’s not used to them.”
3. Sandra dies by being casually thrown through the window to the water below.

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Tax deductible and ready for action.

I am excited to announce that my documentary project Roy’s World: Barry Gifford’s Chicago has entered into a fiscal partnership with IFP Chicago. Why is that exciting? It means the project can tap into the network of one of Chicago’s most passionate champions for independent filmmaking. And it means that you can support the project directly—with a tax deductible donation!

That’s right: all direct donations to Roy’s World via IFP Chicago are tax deductible, and you’ll receive a record of your donation for your accountant. There are certainly worse places to park your simoleons. So (at the risk of sounding like an NPR pledge drive) don’t delay, give today!

Also, don’t forget about the extraordinarily cool show coming up at Constellation on November 4 where you’ll be able to hear Barry Gifford read from his brand new book of Roy stories, alongside Jason Adasiewicz’s soundtrack for the film—performed live by Jason, Keefe Jackson, Josh Berman, Joshua Abrams, and Mike Reed. It’s going to knock your socks off.

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3 things about Jennifer Kent’s THE BABADOOK

The Babadook [2014]

1. Paper blood flowing down her paper neck.
2. “You can bring me the boy.”
3. To me, the most touching moment is when Mrs. Roach alludes to her Parkinson’s disease.

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3 things about David Cronenberg’s RABID

Rabid [1977]

1. “I don’t want to be the Colonel Sanders of plastic surgery.”
2. A movie poster for Carrie in the background.
3. Machine-gunned Santa.

Above all, what attracts me the most about this film is its wintry mid-70s Canadian vibe.

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The rumors are true. Unpausing again.

Pause of the Clock is getting an encore screening in Chicago!

POTCposter7x9_hires_DFFJoin me on 10 December at Transistor! Michael Glover Smith will introduce the movie and then lead a post-show discussion. And it’s free!

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