STORIES FROM THE GRID: Clark/Schubert

Being part of a series involving Chicago and its surroundings.

She walked in a little circle around me, checking me out. Trying to judge if it was safe to come any closer, I suppose. The pool of vomit, which until moments before had been a turkey burger unhappily digesting in my stomach, lay on the floor at my feet. A chunk of something had landed on the tip of my left sneaker, but aside from that I was remarkably unscathed. I felt better. I was also completely unsure about what should happen next. I’d never thrown up in a public place before, let alone on the floor, let alone right in front of my waitress. She was still observing me closely. Finally I couldn’t bear the silence any longer.

“What’s the damage?” I asked.

“Never mind,” she said. “All things considered, it’s on the house. Are you okay?”

I nodded, perhaps a bit too quickly. “Much better now, thanks.” After a pause I added, “I’ll think I’ll be going now though.”

She smiled sadly at me and then backed away, through a set of swing doors that led into the back, presumably where a mop and pail could be found.

I gingerly stepped around the vomit and made my way to the front door, determined to avoid eye contact with everyone else in the room. Aside from Hank Snow on the jukebox, the place was quiet as a tomb. Nevertheless I believed I could actually feel everyone’s stare bolted to the back of my head. I pushed the front door open and found myself on the sidewalk, big sun in the sky, gentle breeze, cars going by, a kid pulling a wagon past me. Completely ordinary afternoon. What had just happened on the other side of the door already felt like a story I’d told people many times before, always while chuckling with false embarrassment.

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Reading diaries.

“If on some occasion I happen to read something in it—because, for instance, I need to know a date—I am always disconcerted: to find that two or five years ago I came to exactly the same conclusion—only to forget it because I had not succeeded in living up to it; in fact, I had been tenaciously doing the very opposite.”

— Max Frisch, Montauk

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3 things about Martin Campbell’s CASINO ROYALE

Casino Royale [2006]

1. File cabinets of CDs. Surveillance footage.
2. “I need you looking fabulous.”
3. Water sloshing down the roof of the sunken villa.

3 other things.

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3 things about Laurie Anderson’s HEART OF A DOG

Heart of a Dog [2015]

1. Doggie clogs.
2. Wittgenstein: “I don’t know why we are here, but I’m pretty sure that it is not in order to enjoy ourselves.”
3. Upside down shoreline.

3 other things.

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3 things about Nicholas Ray’s PARTY GIRL

Party Girl [1958]

1. She observes him as he limps over to her, bends down, and picks up her coat from the floor.
2. After a running a start, she slides across the platform on her thighs.
3. Melted decoration.

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3 things about Peter Weir’s THE WAY BACK

The Way Back [2010]

1. Birch bark snow masks.
2. “We’ve all done terrible things to someone. But don’t ever lie to me again. We’ve had enough of lies.”
3. Fields of green leaves as far as the eye can see.

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3 things about Gregory Jacobs’ MAGIC MIKE XXL

Magic Mike XXL [2015]

1. Sexy Aquafina.
2. “I was an understudy to Donald Duck but by the second year I was Mickey.”
3. A line of ladies waiting for bundles of cash.

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3 things about John Hough’s ESCAPE TO WITCH MOUNTAIN

Escape to With Mountain [1975]

1. There’s something touching about the fact that despite being hotly pursued by an evil millionaire and his minions, Mr. O’Day takes the time on multiple occasions to make sure the children get a hot meal.
2. Ray Milland serves up half a dozen double takes. “They’re not upside down, we are!”
3. Denver Pyle’s potbelly.

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3 things about Henry Hathaway’s CHINA GIRL

China Girl [1942]

1. The hotel is reminiscent of the Bradbury Building.
2. “She’s in Kunming. Your little Chinese pumpkin face.”
3. He finishes reading the line from the poem and then is buried under a mound of debris.

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3 things about Charlie Kaufman & Duke Johnson’s ANOMALISA

Anomalisa [2015]

1. Swearing at the shower.
2. “Sometimes there isn’t a lesson, which is a lesson in and of itself.”
3. Hotel fire safety channel.

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