Update: Celebrate Pride Month with Queue Tips at the Chicago Public Library

Queue Tips: Discovering Your Next Great Movie

Date: Wed. June 19, 2013
Time: 7:00 pm
Location:
Sulzer Regional
4455 N. Lincoln Avenue
60625

Program: Pride Month

About this event:

Author and Queer Film Society member Rob Christopher presents an overview of his 2012 book Queue Tips, a guide to help movie fans decide what to watch next while utilizing the DVD selections from the local library. Writer-performance artist David Kodeski presents a multimedia version of his contribution to to the book, a chapter titled “That Magic Moment, Homoerotic Display in Heternormative Cinema” which delves into the homoerotic content in the 1961 Susan Hayward-John Gavin film Back Street and other movies. Rob Christopher will sign copies of his book (which will be for sale). The event is free.

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Already

ALREADY

Bugs Bunny wakes up
to drink a cup of water;

Not only is he himself underwater,
but when he actually
draws water
from the cooler, he
ends
up
drinking
the water that already surrounds him.

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I’m afraid of 1984.

I bought my copy of 1984 by George Orwell on February 25, 1989; I wrote the date right there on the flyleaf. I had read it for the first time a month or two earlier, I think, when I checked it out from the library. I was 13. I remember taking my copy of the book with me to my grandparents’ house one weekend. My grandmother took a look through it and was alarmed. But she didn’t take it away from me.

Since then I’ve read it four or five times probably. And I’m a big admirer of the film adaptation with John Hurt and Richard Burton. I hadn’t re-read it for a long time, at least ten years, but last week I had a sudden craving to read it again. This time around I can definitely appreciate the clarity of Orwell’s prose in a way I hadn’t before. The words he uses and the balance of those words conjures up the world of Oceania masterfully. Therein lies the problem.

I have just started the chapter that begins with the sentence: “When he woke it was with the sensation of having slept for a long time, but a glance at the old-fashioned clock told him that it was only twenty-thirty.” Because I’ve read the novel so many times, I know what’s coming next. I dread it. I dread it in a way that’s completely new to me; perhaps because I’m an adult now, perhaps because of what has happened in the world during the least ten years. Perhaps because I’m simply more aware now. It brings to mind something I’ve noticed about Psycho: after you’ve seen it many times, the first half of the movie becomes tremendously suspenseful.  Precisely because you know what’s coming. It’s the flipside to spoilers that few people talk about.

Back to 1984. It’s going to be hard to continue reading it. I can already tell that by the time I reach the end, and that famous last sentence, it’ll be more disturbing to me than ever before. Reading it as a teenager, I guess I didn’t feel the gravity of the book—it just felt like a really great novel. Bleak, depressing, but only a novel. Now, I’m sure it isn’t only a novel. Or else why would I be afraid?

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3 things about Martin Campbell’s GREEN LANTERN

Green Lantern [2011]

1. For no logical reason: gift-wrapping while driving.
2. He looks like a cross between the Elephant Man and “Weird Al” Yankovic in the “Fat” video.
3. Roughly five minutes of training was all he needed.

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3 things about John Schlesinger’s FAR FROM THE MADDING CROWD

Far From the Madding Crowd [1967]

1. Surf washing over the stack of dead sheep at the bottom of the cliff.
2. Tree trunks, velvet green moss. A thick layer of orangebrown leaves underfoot.
3. Alone in the dead room, she pries open the lid of the coffin.

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3 things about George Pan Cosmatos’ THE CASSANDRA CROSSING

The Cassandra Crossing [1976]

1. The only movie in existence where Martin Sheen, performing a headstand while wearing only briefs, and Ava Gardner do yoga together.
2. Sweet little girl blowing plague bubbles.
3. A steel beam is driven straight through the train compartments.

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3 things about Derek Jarman’s JUBILEE

Jubilee [1978]

1. Miss Amyl Nitrate.
2. Ketchup assault.
3. “If the music’s loud enough, we won’t hear the world falling apart.”

Definitely the definitive portrait of punk.

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Memories of Tarr

IMG_20130428_210729

I remember during the Q & A after the film, Tarr holding up a paperback copy of the novel and saying, “This was our screenplay.”

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FOUND POEM (OUR BIG PROBLEM)

FOUND POEM (OUR BIG PROBLEM)

Sex answers

questions

more readily,
he says,
but less

deeply.

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3 things about Philip Ridley’s THE PASSION OF DARKLY NOON

The Passion of Darkly Noon [1995]

1. A giant silver Doc Marten. With a crow on it.
2. Theory: Quincy wandered in from Paris Is Burning.
3. The house has really shoddy wiring; but, rather incredibly, no one gets electrocuted.

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