There is no alternative to persevering.

Rebecca Solnit:

They want you to feel powerless and to surrender and to let them trample everything and you are not going to let them. You are not giving up, and neither am I. The fact that we cannot save everything does not mean we cannot save anything and everything we can save is worth saving. You may need to grieve or scream or take time off, but you have a role no matter what, and right now good friends and good principles are worth gathering in. Remember what you love. Remember what loves you. Remember in this tide of hate what love is.

You can be heartbroken or furious or both at once; you can scream in your car or on a cliff; you can also get up tomorrow and water the flowerpots and call someone who’s upset and check your equipment for going onward. A lot of us are going to come under direct attack, and a lot of us are going to resist by building solidarity and sanctuary. Gather up your resources, the metaphysical ones that are heart and soul and care, as well as the practical ones.

People kept the faith in the dictatorships of South America in the 1970s and 1980s, in the East Bloc countries and the USSR, women are protesting right now in Iran and people there are writing poetry. There is no alternative to persevering, and that does not require you to feel good. You can keep walking whether it’s sunny or raining. Take care of yourself and remember that taking care of something else is an important part of taking care of yourself, because you are interwoven with the ten trillion things in this single garment of destiny that has been stained and torn, but is still being woven and mended and washed.

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3 things about Louis Malle’s MY DINNER WITH ANDRE

My Dinner with Andre [1981]

1. References to “my girlfriend Debbie”: writer Deborah Eisenberg.
2. Borrowing Richard Avedon’s place.
3. The man in the fortune cookie factory.

3 other things.

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3 things about Charles Vidor’s LADIES IN RETIREMENT

Ladies in Retirement [1941]

1. Revulsion at Gilbert & Sullivan.
2. An umbrella stand becomes a giant vase for bulrushes.
3. They remark that they just observed Albert playing a game of tag with several gentlemen.

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3 things about Hector Babenco’s KISS OF THE SPIDER WOMAN

Kiss of the Spider Woman [1985]

1. Two plates, one with twice as much food on it.
2. He leaves prison wearing a blue scarf; he dies wearing a red scarf.
3. “The nicest thing about feeling happy is that you think you’ll never be unhappy again.”

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3 things about Clint Eastwood’s JUROR #2

Juror #2 [2024]

1. “American Gothic” Halloween costumes.
2. In the middle of their discussion of the case, he drops his sobriety coin.
3. “Did you take the shortcut down Old Quarry Road?”

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3 things about Ryusuke Hamaguchi’s EVIL DOES NOT EXIST

Evil Does Not Exist [2023]

1. The sewage of five people is acceptable.
2. During the videocall, the consultant sits behind the wheel of his car.
3. Closeup of a bullethole in the deer’s hide.

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3 things about Silvio Narizzano’s DIE! DIE! MY DARLING!

Die! Die! My Darling! [1965]

1. Her face half concealed by a curtain on the bathroom door.
2. She violently attempts to wipe away all the lipstick. (Echoed in The Substance?)
3. A secret chamber stuffed with forbidden remnants of her old life.

Tallulah Bankhead is 110% the entire film and scripter Richard Matheson keeps coming up with squirm-worthy twists.

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3 things about Richard Wenk’s VAMP

Vamp [1986]

1. She never says a word; she doesn’t need to.
2. A dish of cockroaches–as a treat.
3. Middle finger from the skeleton.

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3 things about Brandon Cronenberg’s POSSESSOR

Possessor [2020]

1. Identifying curtains, blinds, and window coverings.
2. She wears a mask of her own melted face.
3. The bloodied child looks the dying man in the eye and says, “Pull me out.”

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3 things about Harvey Hart’s THE PYX

The Pyx [1973]

1. Twin rocking chairs, painted blue.
2. “I’m a homosexual,” he confides. (Which means he won’t survive to the end of the film.)
3. Chanting–simultaneously normal speed, slowed down, and speeded up.

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