Limelight [1952]
1. An extra flea.
2. “That’s all any of us are: amateurs. We don’t live long enough to be anything else.”
3. Slippery sheet music.
Limelight [1952]
1. An extra flea.
2. “That’s all any of us are: amateurs. We don’t live long enough to be anything else.”
3. Slippery sheet music.
Loving Vincent [2017]
1. Watching the rain through the cafe windows.
2. He takes a few paintings in lieu of a bill.
3. A chair at the edge of a field.
When Pigs Fly [1993]
1. Half-eaten sandwich next to him on the bed.
2. Impromptu bop to “A Night in Tunisia.”
3. Pieces of chair tied to their heads.
The Bitter Stems [1956]
1. Looking through the window of the train into the past.
2. A strategically loud orchestra.
3. Shallow planting.
The Flintstones [1994]
1. Kids playing in Jurassic Park.
2. He ignores his mother-in-law and unties the pet dino.
3. The invention of concrete.
Last Summer [2023]
1. Disassociated orgasm.
2. “Your son’s a monster. Get that into your head.”
3. Woodshed.
Rosencrantz & Guildenstern Are Dead [1990]
1. A theory of narrative: “Generally speaking, things have gone about as far as they can possibly go when things have gotten about as bad as they can reasonably get.”
2. Sudden queer gaze in the baths.
3. An initial miscount of the number of deaths.
Key Largo [1948]
1. Lounging in the bathtub with a cigar, and a fan aimed directly at him.
2. A lengthy whisper that we can’t quite make out, which makes it feel even filthier.
3. Her song is pathetic, tender, brave, sad, and uncomfortable. All at the same time.
Miracle Mile [1988]
1. They choose to spend their last moment’s eating at Canters Deli and who can blame them?
2. Dying at the bottom of an escalator.
3. Tar pit crash.
Amadeus [1984]
1. “These”(gulp)”are originals?”
2. Portrait of Haydn on the wall in Mozart’s flat.
3. Dripping black veils and hoods.