3 things about Mikhail Kalatozov’s I AM CUBA

I Am Cuba [1964]

1. Crazy, crazy, crazy love.
2. The screen at the drive-in consumed by flames.
3. Cane cutting.

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3 things about Christopher Nolan’s THE PRESTIGE

The Prestige [2006]

1. A panel in the tabletop slides open, revealing the flattened cage and squashed bird.
2. Hugh Jackman, doing an American accent, seated across from Andy Serkis, doing a New York accent.
3. As he dies, he conveniently kicks over a lantern.

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3 things about John Flynn’s THE OUTFIT

The Outfit [1973]

1. Anita O’Day in the background singing “I Concentrate on You” to a handful of patrons.
2. She just wants to go back to Pittsburgh to be with her daddy.
3. “Stay out of it. He’s dead. You’re unemployed.”

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3 things about Kathryn Bigelow’s ZERO DARK THIRTY

Zero Dark Thirty [2012]

1. “He’s never leaving here, is he?”
2. Tony Robbins.
3. He hands the child a glowing lightstick. She looks at it in wonder.

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3 things about Akira Kurosawa’s KAGEMUSHA

Kagemusha [1980]

1. He has three attendants and two pages.
2. Fan song interlude.
3. He is banished from his own mansion. They pelt him with mud.

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3 things about Marc Forster’s QUANTUM OF SOLACE

Quantum of Solace [2008]

1. “If you could avoid killing every possible lead, it would be deeply appreciated.”
2. He snaps the handle off the door of the men’s room.
3. Basically, the shoddiest hotel in the world.

3 other things.

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Awaiting Auction

I was visiting an urban refuse center, a massive garbage/salvage operation with extensive grounds. It had a vertical sorting facility at its center, a multistory building, and as part of a small group I was being given a tour of the place. Eventually we all got on an elevator, and then the guide stopped the elevator on a certain floor and we got out. We found ourselves in a very large unfinished space with concrete floors and walls, like a warehouse. And the space was filled with furniture, knickknacks, books, old souvenirs, and other odds and ends. The sort of stuff you’d find at a thrift store, basically. The space had that feel to it. We were given to understand that all the objects on this floor of the building had been collected from the homes of various people who had died. It was all being stored here awaiting auction or disposal. We were all allowed to wander around and look, though the tour guide told us that this was not usually permitted.

I went over to a bookcase that was stuffed with a variety of random things. Boxes and boxes of unused Christmas cards, magazines, books, and so on. And then I noticed a handful of notebooks. They were hardcovers. Obviously daily diaries. The entries were written in black ink. The handwriting was messy but it was clear that whoever kept these notebooks faithfully wrote down each day’s events. Examining them I became very sad, because I knew they wouldn’t fetch anything at auction and therefore it could only be a matter of time before they were thrown out for good and disposed of along with everything else in this place. I tried to think of a way to save them. I approached the tour guide and offered to buy them all on the spot. Just then, the tour guide’s supervisor showed up. He happened to overhear my proposal and quickly interjected that such a thing would be impossible. The rules said that they had to go to auction and could not be removed from the space for any other reason.

I felt very disappointed, but knew that there was nothing I could do.

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3 things about Gary Nelson’s FREAKY FRIDAY

Freaky Friday [1976]

1. “He’s gonna cook? Isn’t that sort of a sissy thing to do?”
2. Victor Borge!
3. Two halves of a police car.

Bonus: in the midst of the chaos, she sits down on the kitchen floor and starts sucking on her thumb.

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3 things about Brian De Palma’s THE FURY

The Fury [1978]

1. “Harry, I told you we should have moved to Melrose Park. This wouldn’t be happening if we lived in Melrose Park.”
2. Water Tower Place rendez-vous.
3. John Cassavetes blows up. His head tumbles through the air.

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3 things about Robert Altman’s KANSAS CITY

Kansas City [1996]

1. “You got robbed by Amos and Andy. Can you believe that shit?”
2. As the jazz battle concludes, Hawkins and Young shake hands.
3. “You know what I didn’t do today? I didn’t vote.”

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