3 things about Marianna Milhorat’s JUST ABOVE THE SURFACE OF THE EARTH

Just Above the Surface of the Earth (For a Coming Extinction) [2024]

1. Five uninterrupted minutes of listening for frogs.
2. A tidepool is a microenvironment.
3. Sitting in a chair amidst the tallgrass.

A haunting, exquisitely made documentary centered on an assortment of citizen scientists performing their own documentation–of various creatures (such as starfish, frogs and bats) under environmental stress as the climate rapidly changes. Rather than hew to a singular narrative “voice,” Milhorat has chosen a “chorus” of observers and narrators to provide a sort of poetic commentary on what we see.

It’s a shame that most viewers will probably not be able to see this under ideal conditions, i.e. in a theatre on a big screen, where the stunning visuals and 5.1 surround sound mix create a truly immersive experience.

This is a wistful film that deftly avoids the anthropomorphizing so common to nature documentaries.

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3 things about Roy Andersson’s SONGS FROM THE SECOND FLOOR

Songs from the Second Floor [2000]

1. Passing around a crystal ball.
2. A vast hall at the edge of which multitudes of teams struggle to move overloaded luggage carts forward.
3. Singing subway car.

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3 things about John Boorman’s HELL IN THE PACIFIC

Hell in the Pacific [1968]

1. Devouring a raw fish.
2. Sand garden.
3. A discarded photograph of a young Japanese woman.

Be sure to watch the “alternate ending,” which was the director’s preferred one.

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3 things about Lew Landers’ MAN IN THE DARK

Man in the Dark [1953]

1. Surgical implements coming right at you.
2. Carnival ride shootout.
3. A slip of paper with 1133 written on it.

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3 things about Terence Davies’ THE NEON BIBLE

The Neon Bible [1995]

1. He lip-syncs the introductory patter.
2. “Just a tooth. And her dignity.”
3. The most breathtaking sunrise in cinema?

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3 things about THE FOX AND THE HOUND

The Fox and the Hound [1981]

1. Scooping up the chickens with the doghouse.
2. A truck bed full of pelts.
3. Only in a Disney film could Mickey Rooney and Kurt Russell conceivably play peers.

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3 things about Bruce Bilson’s THE NORTH AVENUE IRREGULARS

The North Avenue Irregulars [1979]

1. “My acid is flowing.”
2. Pulling down the brim of her hat, licking her lips.
3. Snowed in at the Elks convention.

3 other things.

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3 things about Richard Boleslawski’s THEODORA GOES WILD

Theodora Goes Wild [1936]

1. Montage of biddies and their cats.
2. A box of soft-baked ginger cookies.
3. She hands the baby to the old lady, who then suddenly realizes she’s a grandmother and promptly faints.

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3 things about CALIGULA: THE ULTIMATE CUT

Caligula: The Ultimate Cut [1980/2023]

1. Raping first the wife and then the husband.
2. An army of naked men attacking papyrus.
3: Password: scrotum.

A genuine oddity and eye-filling spectacle that at times brought to mind (heaven help me) a much more honest, less pretentious Peter Greenaway production. Nudity and sex everywhere, but just when you think some eroticism is on offer, the film twists it abruptly away. Which I’d like to think is by design?

Malcom McDowell’s performance is fearless and captures the emperor’s harrowing cruelty and insanity. Helen Mirren doesn’t quite have enough to do but in her finest moments, she’s no shrinking violet either. The final third is a bit of a slog but the finale’s no nonsense carnage gets it right. I imagine that this plays best on a big screen; at home, it could feel tedious.

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3 things about Shola Lynch’s CHISHOLM ’72: UNBOUGHT & UNBOSSED

Chisholm ’72: Unbought & Unbossed [2004]

1. Walter Cronkite announces that Shirley Chisholm has “thrown her bonnet” into the ring.
2. In 1971 she proposes that the Department of the Interior ought to be led by an Indian.
3. Octavia Butler: “Power really is just a tool, and it’s what you do with it that matters. If you don’t have it, someone else will. And you’ll be at their mercy.”

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