Alfred Hitchcock’s VERTIGO

LIGHT IN AUGUST

The pattern of leaves on this green
concrete
floor
calls to mind that scene in the forest

where he watches her tracing
the
rings
in the cross-section of the cut tree: here I

was born, there I died. It was just a
moment
for
you, you took no notice. Her eyes move

from the wood to his face, a
swivel
of
magnetism on hidden rails. And she

glides past him through the ancient trees
and
the
heavy drapes of string-wrapped woodwinds.

I remember he seems to stand there
watching
her
move away for a very long time before

he
tries
catching
up.

17 August 1998

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3 things about John Huston’s PRIZZI’S HONOR

Prizzi’s Honor [1985]

1. On the phone: “You just give me your name and I’ll send you $10.” Her name is Miss Peaches; he writes it on a stamped envelope, then walks to the hallway and drops it in the mail slot.
2. “What do I do? Do I ice her, do I marry her?”
3. Pasty white face, blackish yellow teeth. He brings the soupspoon to his lips.

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3 things about David Lean’s GREAT EXPECTATIONS

Great Expectations [1946]

1. A rat scurries over the dust-encrusted wedding cake.
2. “In becoming a gentleman, I had only succeeded in becoming a snob.”
3. He kisses Pip’s hand in silence, then dies.

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3 things about William Wyler’s THE BEST YEARS OF OUR LIVES

The Best Years of Our Lives [1946]

1. She points to the smoky smudges in the aerial photograph and asks, “What are those?” He smiles and replies, “Little black flowers that grow in the sky.”
3. Using the tines of a fork against the tablecloth, Myrna Loy tallies how many drinks he’s had.
3. She looks at them as if she’s never seen a bowl of peas before in her life.

Seeing the movie now, finally, I can really appreciate Paul Auster’s careful reading of it in his novel Sunset Park. I’d love to go back and look at it again right now, only I can’t find my copy (I do own a copy of it, don’t I?)

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3 things about Robert Altman’s QUINTET

Quintet [1979]

1. Vaseline smeared on the lenses. The entire film.
2. Money-skewer murder weapon.
3. Starfish sewn on the brim of Fernando Rey’s hat.

This movie just doesn’t work. But it has something …

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3 things about Fritz Lang’s RANCHO NOTORIOUS

Rancho Notorious [1952]

1. Not one of the all-time greatest movie songs: “Legend of Chuck-A-Luck.” On the other hand “Love Me Tender” does appear in an instrumental version during one scene.
2. He kisses her. She smiles and says, “That’s for trying.” Then she slaps him, twice, and says, “That’s for trying too hard!”
3. Tall rock, moonlight halo, horses on the trail.

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3 things about Paul Feig’s BRIDESMAIDS

Bridesmaids [2011]

1. She sits in the sink and shouts, “Look away! Look away!”
2. “I just want to watch The Daily Show without being penetrated.”
3. “It is a great tub. I slept in that tub on my thirtieth birthday.”

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3 things about David Lynch’s ERASERHEAD

Eraserhead [1977]

1. “Do I just–cut them up like regular chickens?”
“Sure, just cut ’em up like regular chickens.”
2. Sock on the radiator.
3. Rubber eye rub.

3 other things.

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3 things about Nicole Holofcener’s PLEASE GIVE

Please Give [2010]

1. She has a fleeting vision of the dead woman sitting in her chair, the one she’s just purchased.
2. A dented can of juice spilled all over the kitchen floor is the the first sign that something isn’t right.
3. “We’ll give you an enzyme peel. You’ll look like you’ve been hit by a truck, but it’ll be worth it.”

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3 things about Mike Mills’ BEGINNERS

Beginners [2010]

1. “We had the good fortune to feel a kind of sadness our parents didn’t have time for.”
2. On the wall above his couch is a still from Andy Warhol’s Empire.
3. He asks her how she knew he was sad. In response she draws a pair of eyes.

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