In the Mood for Love [2000]
1. “I’ll leave you in peace then.”
2. Green Melmac plates, green coffee cups and saucers. You can see the coffee through the cup.
3. A rehearsal of a confrontation. A rehearsal of a farewell.
In the Mood for Love [2000]
1. “I’ll leave you in peace then.”
2. Green Melmac plates, green coffee cups and saucers. You can see the coffee through the cup.
3. A rehearsal of a confrontation. A rehearsal of a farewell.
A dream last night.
It was an all-star cast which included Mary Tyler Moore, Nancy Walker, James Mason, and Robert Ryan. The premise: it’s four weeks before Christmas and the Grand Opening Day of a new, state-of-the-art shopping mall. One of the mall’s anchor stores is a supermarket. Next to the supermarket, on the other side of the indoor plaza, is a very expensive country club-style restaurant. Several people, rich grayhairs mostly, are dining on Beef Wellington and rare red wines. On another side of the plaza is the entrance to a department store, and next to that is a cozy little lunchcounter–a Woolworth’s type establishment where one can order soup and salad or just have a cup of coffee.
Also connected to the mall is a new church, a cathedral really, with a huge sanctuary. Done in a sort of English Tudor style. Consumerism and religion joined at the hip in other words.
So: it’s Grand Opening Day at the new mall. The place is packed. Christmas decorations are everywhere. Then an earthquake hits. Some concrete is knocked loose from the walls, there’s a little damage, but everyone is okay and the mall is not evacuated. Some shoppers hesitate; perhaps they should leave? But they don’t.
Except for James Mason, the aging rich playboy who has financed the project on a lark. He decides it’s best to go home. As he goes out the main entrance he says to his female companion, “Close call, that.” He runs into Robert Ryan, the hardnosed mall security manager who’s come to examine the situation.
Then, a few moments later, there’s another earthquake and this one is massive. Although there don’t seem to be any fatalities the exits are all blocked. Everyone is trapped. Mary Tyler Moore is a mother who’s at the mall doing some Christmas shopping with her son, a kid of 6 or 7. The kid remains calm and collected but Moore starts crying and wailing and generally panicking. Nancy Walker, playing an elderly maid who’s also a hopeless alcoholic spinster, comes over to comfort her. Through slurred words she encourages everyone to put a happy face on the situation. “If you laugh and smile you’ll feel better!” she insists. She leads all the trapped shoppers in a round of Christmas carols, which does indeed seem to boost everyone’s spirits.
Howl [2010]
1. The typewriter punches out handwriting.
2. Next to the phonograph, an LP by Dinah.
3. An arm emerges from the bottom corner of the frame to accept the cup of tea.
Avatar [2009]
1. “You’ve contaminated the sample with your saliva, Norm.”
2. Quick cutting neutralizes 3D.
3. Chest hair, green filaments.
My own memories of 9/11 are (blessedly, considering what’s come later) self-contained. Working a full day at the coffeehouse, not wanting/wanting to be there, spending a few hours at home glued to the TV, then going to a Laurie Anderson concert.
No one was sure whether she would cancel the show or not, but she didn’t, and it remains probably the most meaningful concert of my life. During the beginning of her first song she said, simply, “We’d like to dedicate this show to all those who died today.” And that’s the only thing she did differently. Quite a lot of her songs were/are about NYC, so merely performing them as written said everything that needed to be said that evening.
Act of Violence [1948]
1. The slow scrape of his shoe on the sidewalk.
2. She cradles the bottle of milk, nervously massaging it.
3. Alongside the train tracks they approach one another, like a shootout in a western.
Lifeforce [1985]
1. Frank Finlay has the Christopher Lee role.
2. “Every blue spark is a human soul.”
3. A flattened pile of twitching corpses on the stairs of the cathedral.
Young Frankenstein [1974]
1. It begins to rain.
2. “There. Now I’ve touched it. Are you happy?”
3. Sssst!
Ivan’s Childhood [1962]
1. Chicken on a chain.
2. Suddenly, a blinding flash on the water.
3. Hanging from the rafters is a line of wire nooses.