3 things about Bruce Bilson’s THE NORTH AVENUE IRREGULARS

The North Avenue Irregulars [1979]

1. “He’s just a guy. He bought me a drink. Is that a crime?”
2. Cloris Leachman’s eyelashes.
3. Rev. Hill obviously couldn’t have officiated at the wedding, since at the time he was in conference with Dr. Fulton.

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3 things about Lucrecia Martel’s THE HEADLESS WOMAN

The Headless Woman [2008]

1. It begins to rain.
2. He brings the dead deer to the backyard. “Do you want me to skin it?” asks one of the housekeepers. “Alright,” he says, “but don’t cut yourself.” She laughs at his foolishness.
3. She kisses her assistant, greeting her, but is unable or unwilling to put on her smock. The assistant puts it on for her, guiding her arms into sleeves. Doesn’t seem to notice what state she’s in.

So glad I saw this last night. It really is a Last Year at Marienbad for the 21st Century. Also reminded me of Friday Night somehow. One of the most dreamlike movies I’ve ever seen; characters, elements, situations repeat themselves but, just like in a dream, you can’t quite put your finger on where you saw them before. You only know that they’re familiar. The ultrawidescreen ratio allows the camera to hold closeups while also showing us environmental context. We are shown plenty; yet, it’s never quite enough to decipher where we’re at, who these people are, what’s going on. Mystery.

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3 things about Stephen Cone’s IN MEMORIAM

In Memoriam [2009]

1. His neck pulses. You can literally see his heart beating.
2. “In another life,” she says. Then she puts her finger to the other girl’s lips.
3. Are they really talking to each other? Or just talking?

Quite a special movie. It starts off a bit like Under the Sand, and then just goes completely its own way. There’s an obviousness to the turn it takes that’s so simple it almost made me laugh. But that’s because it feels so genuine that it really couldn’t have turned out any other way. Tonight was the cast/crew screening; here’s hoping it has a good life ahead of it. So often I feel compelled to cheer on Chicago movies simply because they’re local. This is the rare one I can root for because it’s, you know, a great movie.

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3 Things

Billy Budd [1962]

1. He prepares to count to eleven, then catches himself.
2. “We do not deal with justice here, but with the law.”
3. The Dansker takes the oath using his own Bible.

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3 Things

Paris, je t’aime [2006]

1. “All I can say is that I felt, at the same time, joy and sadness. But not too much sadness, because I felt alive.”
2. His hair draped over his forehead, falling into his eyes. Grey tank top.
3. Jagged banks of clouds, the sun setting over the placid city. Later: Gena’s face reflected in the window as she smokes a cigarette.

Gosh, I want to go back there this spring.

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3 things about Lasse Hallström’s THE CIDER HOUSE RULES

The Cider House Rules [1999]

1. “You splice, I’ll deliver.”
2. The countryside is strewn with autumn leaves, even though it’s supposed to be summertime.
3. Blood seeps from his palm, mingling with the shards of broken glass from the ether bottle. He goes to sleep one last time.

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3 things about John Hillcoat’s THE ROAD

The Road [2009]

1. A forest of crooked telephone poles.
2. Naked, dirty, bleeding bodies suddenly shamble to life.
3. On top of the pile of clothes, he carefully places a single can of food.

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3 Things

The International [2009]

1. “That’s the difference between fiction and the truth. Fiction has to make sense.”
2. Bullet-ridden Guggenheim.
3. The rebel leader in a suit and tie, looking like any other businessman. Perhaps he is.

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3 Things

High Society [1956]

1. “Uncle Willy is in the pantry doing weird and wonderful things with various healing waters.”
2. Her eyes spring wide open in alarm.
3. Satchmo: “End … of … story!”

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3 Things

Bad Lieutenant: Port of Call, New Orleans [2009]

1. “Shoot him again. His soul is still dancing.”
2. Iguana Cam.
3. He arches an eyebrow, holds it for a beat, then walks back to his car.

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