Blue Velvet [1986]
1. The pendulum of the clock in the Williams’ house never moves.
2. The neon sign in the window: THIS IS IT
3. Ben’s eyes widening as he utters the word “fuck.”
Blue Velvet [1986]
1. The pendulum of the clock in the Williams’ house never moves.
2. The neon sign in the window: THIS IS IT
3. Ben’s eyes widening as he utters the word “fuck.”
Simon of the Desert [1965]
1. His hands are restored. Almost immediately he smacks his daughter on the back of her head.
2. “I just realized that I don’t always realize what I’m saying.”
3. He puffs on his pipe, bored. Pours a bit more Coke into his glass.
Here I write a bit about copyright vs. copyleft.
On Golden Pond [1981]
1. Loons. Loons. And, yes, loons.
2. “We’ve been peeing indoors for forty years.”
3. He stumbles some distance before finally dropping the box of dishes.
Grey Gardens [1975]
1. Feeding the raccoons Wonder bread and cat food.
2. “This is concentrated ground.” “Consecrated.”
3. Jerry lies across the bed. Bored? Stoned?
Scored some great books on the cheap: the new Penguin Jazz Guide, a history of Sesame Street, a biography of Brian Eno, a book on Sebald. Stopped by the Seven Stories Press booth. It was a great show, but I’m plumb exhausted.
M. Butterfly [1993]
1. “He never explored my body.”
2. She sits on top of him, in his lap. They writhe gently. He is still dressed but sweaty.
3. As he stands in the street, the water splatters his tuxedo. He’s still holding his drink.
The Gold Rush [1925]
1. Charlie’s back to the camera. He watches all the dancers.
2. He pours the canteen into the stove to help start the fire.
3. Charlie takes a look at all the snow piled in front of the jail and quickly walks away.
The Host [2006]
1. His hand shaking, holding the bucket of change.
2. They take a flesh sample from his shoulder.
3. She dies at the end. In a different film, she wouldn’t.