An exceptionally peculiar evening. Here’s how it went down:

1. After work I went to the gym, realizing halfway through my workout that my ensemble was deeply unflattering.
2. I walked home from the gym wearing my deeply unflattering emsemble, now drenched with sweat. Was going to stop by the bank to make a deposit when I realized that I’d left my bank card at home.
3. After a shower, Andy and I had a long, meandering talk. A good talk. But all of a sudden it was 7 o’clock and we hadn’t discussed dinner yet.
4. Because both of our brains were fried and we were feeling lazy and uncreative, we decided to order delivery from Art of Pizza. Again.
5. Because it was 7 o’clock, it was primetime for pizza, which meant an hour’s wait time. Not unusual. We’re used to it.
6. To kill time waiting for the pizza, we ended up watching Bob & Carol & Ted & Alice, which was on TV and was already halfway over when we turned it on. Our plan was to watch the pilot episode of Moonlighting once the pizza arrived.
7. A bit before 8 o’clock, Apocalyptic Rain/Thunderstorm Round #1 began. Scaring the hell out of Andy. Further delaying pizza. Buckets of rain everywhere, tree branches being ripped off, rain blowing horizontally through our back windows. Stifling in the apartment
8. At 8.15, the pizza arrived. Delivery guy was very cheerful. I gave him an absurdly large tip.
9. Storm was still too horrifying to think about watching anything. Andy was so upset he didn’t want any pizza. If you knew Andy, you’d know how wacked out that is.
10. Finally, around 8:30ish, the storm died down. However it was now too late to watch Moonlighting. We decided to finish the rest of the movie on TV.
11. Andy went to bed a little after 9. Our DSL came back on so I surfed online and read about the storm.
12. I went to bed at 10.30. Andy in a deep sleep. I dozed off.
13. At 11.15ish, Apocalyptic Rain/Thunderstorm Round #2 began, rudely rousing us. Andy jumpped out of bed and fled to the central hallway. I comforted him as best I could. DSL went down again.
14. At around 11.45 I said, “Wow, this must be what it would be like to be inside the Mutara Nebula.” Andy actually laughed.
15. Midnight: I coaxed Andy into the bedroom, and half an hour later we went to sleep.

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My interview with filmmaker Andrew Bujalski

Funny Ha Ha and Mutual Appreciation are two of the most enjoyable new movies I’ve seen in the past few years, and it was awesome to get in touch with him. He’s sharp and very funny. And he loves Chicago deep dish!

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Byrne!

It’s Xmas in August for yours truly!

A free download from the new Byrne/Eno album became available today, and I’ve been listening to it on repeat. “Strange Overtones.” Lovely. It has more of a “traditional” song structure than some of Byrne’s other recent stuff, i.e. it’s pretty damn catchy. It’s hummable. And, as he’d described, it does sound strangely hopeful. If the rest of the album is as good …

Also new to the site are tour dates. He’ll be here on October 26th at the Chicago Opera House. The best venue in town! Holy Toledo, when do tickets go on sale?

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3 things about Christopher Nolan’s THE DARK KNIGHT

The Dark Knight [2008]

1. The clever alteration of the graphics on the side of the bus: “CTA” (Chicago Transit Authority) has been changed to “GTA” (Gotham Transit Authorty).
2. My favorite shot of the movie: The Joker is hanging upside down. While he is talking, the camera slowly flips over until his face appears to be right side up. The purple cape dangles and swings behind his head, as if he is standing in front of a curtain as he gives his little speech.
3. The peculiar shape of Michael Caine’s glasses.

In brief: a very smartly done movie … with at least one climax too many. The performances are tops, especially (of course) Heath Ledger. As is the amazing use of Chicago locations. Two-Face was truly gruesome,but his whole appearance kind of drained away the movie’s impressiveness for me, turned that last half hour into just another spectacle-heavy action movie. The Dark Knight works very best when it’s sharp and focused (like the pencil trick, for example).

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3 things about Karen Moncrieff’s THE DEAD GIRL

The Dead Girl [2006]

1. On the back of the kitchen cupboard, a recipe written on pieces of masking tape.
2. She puts the toilet lid down and then sits on it. In her lap is her purse and a package of kleenex on top of that. She sobs, holding a tissue.
3. When Leah turns on the kitchen faucet, she drowns out the sound of Mary Steenburgen rambling on about photographs of her missing child. She fills her glass and turns off the faucet; Steenburgen’s voice returns.

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3 Things

The Dead Zone [1983]

1. He leans back, puts his hands behind his head, a look of calm, ritual determination on his face, then slowly bends forward until the blades of the scissors are inside his mouth and against his nose. Cut: Cronenberg doesn’t show us what happens next.
2. The nuclear launch device resembles a kind of Radio Shack/Ikea hybrid minilaptop. Complete with sophisticated palm scanner.
3. Herbert Lom: “I’d kill the son of a bitch.”

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Surprise. I just won The Complete Decca Recordings of Count Basie on eBay with a low bid. I’m anxious to dig in. I’ve heard them compared to the Duke Ellington collection I have, and that I already listen to pretty much nonstop. It’d be fascinating to program them together in chronological order. That’s a truckload of awesome music.

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My review of Chris & Don, A Love Story

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3 things about Spike Lee’s BAMBOOZLED

Bamboozled [2000]

1. The money he puts into their tip bag is exceedingly crisp, unused. It’s a prop.
2. How to make blackface: soak three corks in alcohol and set on fire. When the corks have burned to ashes, add water. Stir and crumble until the mixture is a thick paste. Apply cocoa butter to skin, then blacken up.
3. When she walks through the door with a gun in her hand, all believability/credibility finally goes out the window.

This is the worst Spike Lee movie I’ve ever seen, which is to say, it’s not a total loss but it’s terrible. The concept is sound, but his execution is all wrong. It’s a polemic on satire, draining away all the humor and imstead amping up the bile. Bile does not make a good movie. Making pointed references/homages to both Network and Sunset Blvd. doesn’t excuse the fact that you’re still doing a terrible job of ripping them off; and the only strategy more ineffective than telling people when to laugh is telling people when not to laugh. And so on. The montage of vintage clips at the end is more effective than anything else in the entire movie. That’s a problem. He should have just made a cinematic essay/documentary instead of this sorry excuse of a narrative.

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VERY IMPORTANT NEWS

This is directly from the official Trader Vic’s News Page, so it’s safe to assume it’s credible:

For the fans of the old Trader Vic’s in the Chicago Palmer House Hilton, it has been a long agonizing wait, but at long last, this October, the “new” Trader Vic’s Chicago will open its doors. The latest addition to the Trader Vic’s family of franchises is being designed by the same team that brought the old Dallas location back to breathtaking life in 2006. Tikiphiles and Trader Vic’s Chicago devotees will appreciate that many artifacts from the Palmer House restaurant have been preserved for this new location. We can’t wait to see the finished result! 

My reaction: !!!

I will definitely be asking James Teitelbaum about this when I see him tomorrow. He’s leading a Tiki Drinks Seminar at Sam’s.

Last week I strolled by 1030 N. State, where the new Trader Vic’s is going to be. I peered in the windows but didn’t see any construction going on. Hmm. Mysterious. The great news is that it’s quite close to my new job, so I can stop by often to see how it’s progressing. And of course its proximity will be quite advantageous once it’s open. Many, many happy hours ahead of us …

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