Asako I & II [2018]
1. Haughty acting critique.
2. Earthquake in the dark. Offscreen chandelier crash.
3. Unfazed by the news, he offers to drive her back to Tokyo.
Asako I & II [2018]
1. Haughty acting critique.
2. Earthquake in the dark. Offscreen chandelier crash.
3. Unfazed by the news, he offers to drive her back to Tokyo.
The Wrong Man [1956]
1. Double image. The right man walks towards us until his face is on top of the wrong man’s face, and then he steps away, and now the two men have traded fates.
2. We know what kind of men they are by the condition of their shoes.
3. Vacant stare. “That’s fine for you.”
In the Same Breath [2021]
1. New Year’s to New Year’s.
2. Absurdly low figure of 3,000 fatalities.
3. The hospital worker scolds the ambulance crew: quit bringing patients here, we have no beds.
The Last Run [1971]
1. Gutpunch in the hallway.
2. He makes sure both bodies are in the car and then he blows up the car.
3. Sideways crash on the edge of the beach.
The Haunted Palace [1963]
1. Kitchen snake.
2. Blind mutant child.
3. Through a narrow slot in the door he inserts a bloody hunk of raw meat.
3 things about Jules Dassin’s Brute Force [1947]
1. Note hidden in a sandwich, which he eats.
2. Wagner as the soundtrack to a beating.
3. “I won’t sign it!” Less than sixty seconds later, he signs it.
They Cloned Tyrone [2023]
1. Dranks.
2. Crockpot conversation.
3. Just a voice behind a door.
The End of Summer [1961]
1. He offers to scrub the floor. The girl compliments his technique.
2. “Enjoy your stay,” the bar hostess tells the men.
3. She must give her friend 100 yen every time she calls herself “old.”
The camera never moves. It doesn’t need to.
Red Rock West [1993]
1. He digs out some spare change from a coffee can under the seat.
2. “What should I do?”
“If I were you I’d get a divorce.”
3. Impaled on a monument.
Vesper [2022]
1. Lightning-bugs.
2. Gyroscope ensconced in a squishy orifice.
3. Veils of rags.