3 things about Steven Spielberg’s E.T. THE EXTRA-TERRESTRIAL

E.T. the Extra-Terrestrial [1982]

1. “This is reality, Greg.”
2. A fleeting red glow before he closes the lid.
3. They just abandon the pizza and leave it lying on the ground.

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3 things about Costa-Gavras’s Z

Z [1969]

1. A family portrait and a clean white shirt.
2. He does a little jig in the street and then walks into a bar, where he sexually harasses a boy who’s playing the pinball machine.
3. “Lithe and ferocious as a tiger.”

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A One Night Tribute to Barry Gifford in LA

American Cinematheque is throwing a One Night Tribute to Barry Gifford on September 3! The lineup features the LA premiere of ROY’S WORLD: BARRY GIFFORD’S CHICAGO + WILD AT HEART + LOST HIGHWAY. It’s a triple feature for the ages and tickets are now on sale!

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3 things about Preston Sturges’ CHRISTMAS IN JULY

Christmas in July [1940]

1. It’s Bred in the Bean.
2. “Two can live as cheaply as one.”
“Who wants to live cheaply?”
3. “Kindly cut a groove, will you?”

3 other things.

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3 things about David Lynch’s LOST HIGHWAY

Lost Highway [1997]

1. Slowly removing her eye makeup.
2. Plastic-covered sofa in the desert shack.
3. Brain matter strewn across the sand.

3 other things.

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3 things about Luis Buñuel’s THE PHANTOM OF LIBERTY

The Phantom of Liberty [1974]

1. “Why the sea? The sea’s no longer the sea.”
2. “One thing. I’d like to make a small incision. Sheer medical curiosity.”
3. Two police commissioners equal one police commissioner.

3 other things.

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3 things about Dash Shaw’s CRYPTOZOO

Cryptozoo [2021]

1. Recovering in a Russian hospital.
2. Special contact lenses.
3. Tempest-tossed in the tumbling tower.

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3 things about Joseph Losey’s MR. KLEIN

Mr. Klein [1976]

1. “It’s nothing to do with me.” His fatal blindspot.
2. The deep green of the trees in the square across the street from his apartment.
3. Red robe on dark snow.

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ROY’S WORLD to Make Streaming Debut on Fandor and Other Video Platforms October 18

Here’s the official press release! I’m so excited!

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Cinedigm Acquires ROY’S WORLD: BARRY GIFFORD’S CHICAGO, Acclaimed Chicago-produced Documentary featuring Willem Dafoe, Matt Dillon and Lili Taylor

Based on the work of Chicago-born author Barry Gifford, the film premieres October 18on TVOD and Fandor

LOS ANGELES, CA / Cinedigm has acquired all North American rights to the jazzily impressionistic documentary Roy’s World: Barry Gifford’s Chicago, about the life of cult author and David Lynch collaborator Barry Gifford. After premiering at the Glasgow Film Festival before screening all over the world (including at SF Doc Fest, Manchester Film Festival, and the Museum of the Moving Image in NYC), Roy’s World premieres on transactional video on demand and on Cinedigm’s indie discovery platform Fandor on October 18, timed to celebrate Barry Gifford’s 76th birthday.

Hailed as “William Faulkner by way of B-movie film noir, porn paperbacks, and Sun Records rockabilly,” Gifford has given the world more than forty works, including the novel that inspired David Lynch’s Wild at Heart. Featuring Willem Dafoe, Matt Dillon, and Lili Taylor, the film brings to life Gifford’s autobiographical collection of stories, capturing a vanished 1950s Chicago through a beguiling combination of archive footage, animation, and spoken word.

The deal was negotiated by Brandon Hill, on behalf of Cinedigm, and John Otterbacher and Elaine Wyder-Harshmann on behalf of the filmmakers.

The Motorcycle Diaries filmmaker Walter Salles praised the film: “So immersive you can almost sense the smell of the Chicago streets… I loved its sense of place and its unique human and physical geography. Roy’s World is a beautiful, original and resonant film.”

“As a film nerd, I learned about Barry Gifford through David Lynch’s brilliantly mad adaptation of Wild at Heart and their even madder collaboration Lost Highway,” said Aaron Hillis, Director of Programming at Cinedigm. “What I wasn’t expecting with Roy’s World is how personal Gifford’s work can be, and director Rob Christopher explores that in dreamy, cinematic ways.”

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ABOUT CINEDIGM For more than 20 years, Cinedigm (NASDAQ: CIDM) has led the digital transformation of the entertainment industry. Today, Cinedigm entertains consumers around the globe by providing premium feature film and television series, enthusiast streaming channels and technology services to the world’s largest media, retail and technology companies. As a leader in the rapidly evolving streaming ecosystem, Cinedigm continues its legacy as an innovator through its adoption of next-generation technologies, such as artificial intelligence and machine learning, through its proprietary, highly-scalable Matchpoint” technology platform. For more information, visit cinedigm.com.

ABOUT FANDOR FANDOR is your invitation to cinematic delights, thrilling filmmaker discoveries, and underseen curiosities. Like a passionately curated film festival in your home, FANDOR offers artfully entertaining American indies and the boldest in cult treasures, global voices, and non-fiction storytelling. Our ever-growing streaming library rewards the adventurous on iOS, Android, Prime Video, YouTube TV, Comcast and fandor.com. Visit www.fandor.com for more information.

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3 things about Dan Kwan & Daniel Scheinert’s EVERYTHING EVERYWHERE ALL AT ONCE

Everything Everywhere All at Once [2022]

1. “I saw my life without you. I wish you could have seen it. It was beautiful.”
2. Hot dog finger foreplay.
3. Homage to In the Mood for Love.

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