Keep an Eye Out [2018]
1. Actually.
2. Smoking hole.
3. A discussion on the fine art of eating on stage.
Keep an Eye Out [2018]
1. Actually.
2. Smoking hole.
3. A discussion on the fine art of eating on stage.
My Son John [1952]
1. Bops him on the head with her Bible.
2. Helen Hayes and the look on her face when she says to him, “You take over whenever you want to.”
3. A shaft of light illuminates the empty podium, a twisted inversion of the finale of The Great Dictator.
This is nauseating and fascinating in equal proportion.
About Endlessness [2019]
1. We end on a road to nowhere.
2. They firmly push the man out of the office.
3. “I would rather be a tomato.”
Pulp Fiction [1994]
1. Steve Buscemi as Buddy Holly.
2. “Lots of cream and lots of sugar.”
3. Square.
Local Hero [1983]
1. Pressing a few buttons, he transforms his office into a planetarium.
2. They’re enjoying the casserole until …
3. An enormous snifter filled with matchbooks.
Cold War [2018]
1. Gracefully floating down the river.
2. On an impulse, she starts dancing on top of the bar.
3. “Let’s go to the other side, The view’s better.”
Come and See [1985]
1. A single backwards glance at the back of the barn.
2. Scrubbing out the cauldron with pine branches.
3. Sign on a corpse: I INSULTED A GERMAN OFFICER THIS MORNING.
Sharky’s Machine [1981]
1. The rare 80s film where the focus is on white characters doing drugs.
2. “How does it feel?”
“It feels like you’re a lump of shit.”
3. “Love Theme from Sharky’s Machine“: Sarah Vaughan does Shirley Bassey.
The ‘Human’ Factor [1975]
1. The rare film where “It picks up when Barry Sullivan shows up” is accurate.
2. Hacking an Air India computer.
3. A terrified shopper takes a machine gun into her own hands. A little girl cowers next to her.
Star Trek: The Motion Picture [1979]
1. Weird helmets worn by the ensigns.
2. The way he says, “I want this.”
3. Throat-light.