Tag Archives: 3 things

3 things about Martin Scorsese’s THE AGE OF INNOCENCE

The Age of Innocence [1993] 1. Dissolving into slow motion and then back again. 2. He picks up the parasol and lifts the handle to his nose. Later he finds out it isn’t hers. 3. She laughs bitterly. “Have you … Continue reading →

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3 things about Wong Kar-wai’s IN THE MOOD FOR LOVE

In the Mood for Love [2000] 1. “I’ll leave you in peace then.” 2. Green Melmac plates, green coffee cups and saucers. You can see the coffee through the cup. 3. A rehearsal of a confrontation. A rehearsal of a … Continue reading →

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3 things about Rob Epstein & Jeffrey Friedman’s HOWL

Howl [2010] 1. The typewriter punches out handwriting. 2. Next to the phonograph, an LP by Dinah. 3. An arm emerges from the bottom corner of the frame to accept the cup of tea.

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3 things about James Cameron’s AVATAR

Avatar [2009] 1. “You’ve contaminated the sample with your saliva, Norm.” 2. Quick cutting neutralizes 3D. 3. Chest hair, green filaments.

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3 things about Fred Zinnemann’s ACT OF VIOLENCE

Act of Violence [1948] 1. The slow scrape of his shoe on the sidewalk. 2. She cradles the bottle of milk, nervously massaging it. 3. Alongside the train tracks they approach one another, like a shootout in a western.

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3 things about Tobe Hooper’s LIFEFORCE

Lifeforce [1985] 1. Frank Finlay has the Christopher Lee role. 2. “Every blue spark is a human soul.” 3. A flattened pile of twitching corpses on the stairs of the cathedral.

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3 things about Mel Brooks’ YOUNG FRANKENSTEIN

Young Frankenstein [1974] 1. It begins to rain. 2. “There. Now I’ve touched it. Are you happy?” 3. Sssst!

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3 things about Andrei Tarkovsky’s IVAN’S CHILDHOOD

Ivan’s Childhood [1962] 1. Chicken on a chain. 2. Suddenly, a blinding flash on the water. 3. Hanging from the rafters is a line of wire nooses.

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3 things about Gregor Jordan’s THE INFORMERS

The Informers [2008] 1. Looping, looping, looping. How much of this movie was dubbed because of bad location sound? 2. Mickey Rourke’s unconvincing mustache. 3. Is the final shot supposed to be some kind of weird, inappropriate homage to Whatever … Continue reading →

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3 things about Edgar G. Ulmer’s DETOUR

Detour [1945] 1. “What’d you do? Kiss him with a wrench?” 2. The torn label of the liquor bottle. 3. “You hurt me.” For the briefest of moments she appears bewildered and astonished.

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