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Tag Archives: Ingmar Bergman
3 things about Ingmar Bergman’s THE PASSION OF ANNA
The Passion of Anna [1969] 1. Tiny dog spinning around in a noose. 2. Over the course of the take, her eyes grow red and watery. 3. A very busy breakfast: condiments, butter scraping across toast, sips of coffee.
3 things about Ingmar Bergman’s SHAME
Shame [1968] 1. He fails to shoot the chicken. He succeeds in shooting the man. 2. “Don’t play tennis for a few weeks.” 3. A sea of soldiers. Genuinely stunning. The last time I felt this way after a film … Continue reading
3 things about Ingmar Bergman’s HOUR OF THE WOLF
Hour of the Wolf [1968] 1. She insists on showing him her accounting. 2. The man walks along the floor, walks along the wall, walks along the ceiling. 3. His hand methodically gliding down her body.
3 things about Ingmar Bergman’s AUTUMN SONATA
Autumn Sonata [1978] 1. “A mother and a daughter. What a terrible combination of emotions and confusion and destruction.” 2. Glowing green eyes. Red-rimmed eyes. 3. He closes the envelope but does not seal it.
3 things about Ingmar Bergman’s THE SILENCE
The Silence [1963] 1. Upside down eyes, rimmed in black. 2. “How nice,” she says, examining the scars on his shoulder. “How nice that we can’t understand each other.” 3. She pulls the sheet over her own head. But she … Continue reading
3 things about Ingmar Bergman’s FANNY AND ALEXANDER
Fanny and Alexander [1982] 1. Farting out the candles. 2. “She married a count, had 12 children, and got as big as a house.” 3. Miniature storks sit atop the two cradles.
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