- The “substance” of the film, i.e. the stuff of which it’s made: at moments it feels almost contemporary, at other moments it’s archaic. But the film itself never “talks” about this.
- Central relationship: R and D live together, “work” together, and yet don’t really communicate, never truly connect. What they do have to “say” to each other is mostly between the lines.
- The film within the film: R thinks he’s making a profound, articulate statement; in reality he doesn’t really know what he’s doing, and isn’t being skillful about it. It isn’t as profound as he thinks it is.
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