Destroy All Monsters [1968]
1. “We will either be heroes or in body bags within the hour.”
2. Slithering back into solid rock form.
3. Mothra’s rather ineffective web.
Destroy All Monsters [1968]
1. “We will either be heroes or in body bags within the hour.”
2. Slithering back into solid rock form.
3. Mothra’s rather ineffective web.
Personal Problems [1980]
1. “It’s not that I’m unhappy, I’m just not happy.”
2. Intake interviews that mirror one another, at the beginning of the film and at the hospital.
3. Sax on the riverbank.
The Wind: A Documentary Thriller [2019]
1. The medics calmly observe his uncontrollable shaking.
2. She puts her ear to its bark, trying to hear the tree’s secrets.
3. Vibrating tree roots.
The Bitter Tears of Petra von Kant [1972]
1. “When you have understanding, there’s no need for pity.”
2. Mannequin sex tableau.
3. White, deep shag carpet.
The Girl with All the Gifts [2016]
1. Glug-glug-glug of the canteens being filled.
2. Eating a cat. Eating a bird.
3. Teacher in a cage.
Paper Spiders [2020]
1. She suddenly notices the security cameras. Her mood changes instantly.
2. Everything converges the night the electricity is shut off.
3. “I haven’t had a drink all day. I’m 100% here for you.”
Phantom Lady [1944]
1. “You like jive?
“You bet! I’m a hep kitten!”
2. The court proceedings are depicted using stenographer’s notes.
3. On a cabinet against the wall in his bedroom, a large white sculpture of two hands reaching upwards.
Another Year [2010]
1. During a cloudburst they share a thermos of hot tea underneath the lean-to in the garden.
2. Bad parking.
3. We open on Imelda Staunton’s face, we end on Lesley Manvile’s face. A powerful rhyme.