3 things about Kelly Reichardt’s FIRST COW

First Cow [2019]

1. He gently flips over the newt and continues foraging.
2. A drizzle of honey and a dusting of cinnamon. Chief Factor takes possession of the pastry with a handkerchief.
3. Lying side by side.

Posted in Uncategorized | Tagged , , | Leave a comment

3 things about David Swift’s HOW TO SUCCEED IN BUSINESS WITHOUT REALLY TRYING

How to Succeed in Business Without Really Trying [1967]

1. In the mailroom, a 3M box. (3M also provided the office machines seen in the film.)
2. Pom pom stitch.
3. On a shelf in his office: a Pyrex catalog.

3 other things.

Posted in Uncategorized | Tagged , , | Leave a comment

3 things about John Badham’s WARGAMES

WarGames [1983]

1. “A strange game. The only winning move is not to play.”
2. A kiss on the ferry.
3. He ruffles David’s hair, smiles at the group, awkwardly walks away. And then immediately gets fired offscreen?

Posted in Uncategorized | Tagged , , | Leave a comment

3 things about Kirsten Johnson’s CAMERAPERSON

Cameraperson [2016]

1. He needs oxygen. There is no oxygen.
2. Cut from the receptacle of ashes to her mother, still living.
3. She asks about the woman’s sense of personal style.

Posted in Uncategorized | Tagged , , , | Leave a comment

3 things about Rainer Werner Fassbinder’s IN A YEAR WITH 13 MOONS

In a Year with 13 Moons [1978]

1. A beer and a shot of bitters.
2. The A1 password is Bergen-Belsen.
3. Spitting three times over her left shoulder.

Posted in Uncategorized | Tagged , , , , | Leave a comment

3 things about James Gray’s AD ASTRA

Ad Astra [2019]

1. Freaking out in the Comfort Room.
2. Wispy purple rings.
3. Okay, I can buy someone resorting to hand-to-hand combat with a knife. But no professional astronaut would fire a gun at someone from long range inside a spacecraft.

Posted in Uncategorized | Tagged , , | Leave a comment

3 things about Andrei Tarkovsky’s THE SACRIFICE

The Sacrifice [1986]

1. The candles, the plates, the wine.
2. A coin falls out of his pocket and rolls along the hardwood floor.
3. Finally, a collapse.

Posted in Uncategorized | Tagged , , | Leave a comment

3 things about Claude Chabrol’s LE BOUCHER

Le Boucher [1970]

1. Serene yoga.
2. “I would say nothing. But please don’t.”
3. Expressionlessly she watches the flashing red elevator signal.

Posted in Uncategorized | Tagged , , | Leave a comment

3 things about Joseph Losey’s THE BOY WITH GREEN HAIR

The Boy with Green Hair [1948]

1. Passed around from household to household.
2. Cro-Magnon emo: a tear on his cheek, half shaved head, tufts of his shorn green hair.
3. “Remember us as having died with millions of other people for something fine and worthwhile.”

Boy, they don’t make ’em like that anymore. They never did!

Posted in Uncategorized | Tagged , , | Leave a comment

3 things about Jeffrey McHale’s YOU DON’T NOMI

You Don’t Nomi [2019]

1. Twin totems of chips and nails.
2. “I’m so excited! I’m so excited! I’m so–scared.”
3. Gina Gershon played it like a drag queen.

Posted in Uncategorized | Tagged , , , , | Leave a comment