In a Year with 13 Moons [1978]
1. A beer and a shot of bitters.
2. The A1 password is Bergen-Belsen.
3. Spitting three times over her left shoulder.
In a Year with 13 Moons [1978]
1. A beer and a shot of bitters.
2. The A1 password is Bergen-Belsen.
3. Spitting three times over her left shoulder.
Ad Astra [2019]
1. Freaking out in the Comfort Room.
2. Wispy purple rings.
3. Okay, I can buy someone resorting to hand-to-hand combat with a knife. But no professional astronaut would fire a gun at someone from long range inside a spacecraft.
The Sacrifice [1986]
1. The candles, the plates, the wine.
2. A coin falls out of his pocket and rolls along the hardwood floor.
3. Finally, a collapse.
Le Boucher [1970]
1. Serene yoga.
2. “I would say nothing. But please don’t.”
3. Expressionlessly she watches the flashing red elevator signal.
The Boy with Green Hair [1948]
1. Passed around from household to household.
2. Cro-Magnon emo: a tear on his cheek, half shaved head, tufts of his shorn green hair.
3. “Remember us as having died with millions of other people for something fine and worthwhile.”
Boy, they don’t make ’em like that anymore. They never did!
You Don’t Nomi [2019]
1. Twin totems of chips and nails.
2. “I’m so excited! I’m so excited! I’m so–scared.”
3. Gina Gershon played it like a drag queen.
Showgirls [1995]
1. Porpoise orgasm.
2. “I have a pussy problem.”
3. Last chance for ice.
Utter garbage that accurately conveys what it’s like to spend an extended period of time in Las Vegas.
The Man Who Knew Too Much [1956]
1. Closeup of Jimmy Stewart, his bloodshot blue eyes.
2. The shop assistants hastily move the animals out of harm’s way.
3. The dignitaries bristle at her shrill voice.
The Trouble with Harry [1955]
1. “She’s a well-preserved woman … and preserves have to be opened someday.”
2. Autonomous closet door.
3. She hates cider.