3 things about Alfred Hitchcock’s VERTIGO

Vertigo [1958]

1. “It’s new and clean and waiting.”
2. “See? There’s an answer for everything.”
3. “I don’t think Mozart’s going to help at all.”

A poem about Vertigo.

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3 things about James Mangold’s FORD V FERRARI

Ford v Ferrari [2019]

1. A tip of the hat.
2. Wonder Bread as weapon. Llama bite.
3. Mallet to the door.

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3 things about Justin Pemberton’s CAPITAL IN THE TWENTY-FIRST CENTURY

Capital in the Twenty-First Century [2019]

1. Graffiti: Liberté Egalité Beyoncé
2. Not one of the winners mentioned the fact they’d started the game with an advantage.
3. Comparing workers to horses.

What a disappointment. Wealth inequality is an urgent topic that all of us should be thinking about and discussing, especially right now, but this documentary’s pedestrian treatment does not rise to the challenge. Rather than finding new ways to illuminate its ideas it instead takes the lazy stock footage approach, throwing up endless connect-the-dots montages of ideologically charged images. Banal wallpaper. Especially galling are the many powerful moments lifted wholesale from Koyaanisqatsi; here’s hoping that Godfrey Reggio was at least well paid. It does take an international view of the problem–but, shockingly, Africa isn’t even mentioned! The moments of genuine epiphany, like a sequence involving a college study of Monopoly players, made me realize how much better the film might have been. What Adam Curtis could have done here! In conclusion, read the book or just wait till someone makes a decent podcast out of these ideas. That this documentary has garnered so much acclaim must be put down to the common practice of confusing a worthy subject with a mediocre exploration of it.

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3 things about Gordon Douglas’s LADY IN CEMENT

Lady in Cement [1968]

1. A queen in motorcycle glasses and tight pants, whose bodyguard/lover is a former Green Bay Packer.
2. He asks the drug dealer how he likes his meat.
3. “Daniel Boone” playing on a TV set in a cabana at the Fontainebleau.

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3 things about Gordon Douglas’s TONY ROME

Tony Rome [1967]

1. Snoozing with a Yiddish newspaper draped over his face.
2. “You shouldn’t have gotten mixed up with a family like ours.”
“This is not a family. Just a bunch of people living at the same address.”
3. Pervasive product placement for Budweiser.

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3 things about Barry Jenkins’ IF BEALE STREET COULD TALK

If Beale Street Could Talk [2018]

1. Corelle coffee cup.
2. Coltrane, as ever, the music of tenderness.
3. Customers and her hand.

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3 things about Kelly Reichardt’s FIRST COW

First Cow [2019]

1. He gently flips over the newt and continues foraging.
2. A drizzle of honey and a dusting of cinnamon. Chief Factor takes possession of the pastry with a handkerchief.
3. Lying side by side.

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3 things about David Swift’s HOW TO SUCCEED IN BUSINESS WITHOUT REALLY TRYING

How to Succeed in Business Without Really Trying [1967]

1. In the mailroom, a 3M box. (3M also provided the office machines seen in the film.)
2. Pom pom stitch.
3. On a shelf in his office: a Pyrex catalog.

3 other things.

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3 things about John Badham’s WARGAMES

WarGames [1983]

1. “A strange game. The only winning move is not to play.”
2. A kiss on the ferry.
3. He ruffles David’s hair, smiles at the group, awkwardly walks away. And then immediately gets fired offscreen?

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3 things about Kirsten Johnson’s CAMERAPERSON

Cameraperson [2016]

1. He needs oxygen. There is no oxygen.
2. Cut from the receptacle of ashes to her mother, still living.
3. She asks about the woman’s sense of personal style.

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