3 things about Matt Wolf’s RECORDER: THE MARION STOKES PROJECT

Posted on January 16, 2020 by robchristopher

Recorder: The Marion Stokes Project [2019]

1. “I’m surprised you didn’t call when Steve died.” (Steve Jobs.)
2. An interview with an anti-nostalgist.
3. “We shouldn’t ascribe rationality to those in power and irrationality to those without.”

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3 things about L.Q. Jones’s A BOY AND HIS DOG

Posted on January 14, 2020 by robchristopher

A Boy and His Dog [1975]

1. “Let’s get another Michael out of the warehouse. This time make sure the engineering department wipes that smile off his face.”
2. Being milked.
3. Charles McGraw in makeup.

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3 things about Richard Fleischer’s SOYLENT GREEN

Posted on January 13, 2020 by robchristopher

Soylent Green [1973]

1. The idea of maximum security farms.
2. White plastic pipe bookcases.
3. “And I get a full twenty minutes?”

3 other things.

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3 things about Alfred Hitchcock’s SABOTEUR

Posted on January 12, 2020 by robchristopher

Saboteur [1942]

1. Running into the bebop cat at the charity ball. “Beat it out, son. Beat it out.”
2. Curlers in her beard.
3. Perfect choice: a nasty soliloquy captured in a long shot.

You don’t hear many folks talk about this film nowadays, but seeing it again I think it’s really underrated. He’s trying out some of the ideas he’d later perfect in North by Northwest. And the script offers up some pretty provocative ideas about America and patriotism. I personally like how abrupt the ending is.

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3 things about Luca Guadagnino’s CALL ME BY YOUR NAME

Posted on January 11, 2020 by robchristopher

Call Me by Your Name [2017]

1. Sounds of the peach.
2. He just shrugs.
3. “And before you know it, your heart is worn out, and, as for your body, there comes a point when no one looks at it, much less wants to come near it.”

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3 things about Emilie Upczak’s MOVING PARTS

Posted on January 8, 2020 by robchristopher

Moving Parts [2017]

1. Unintelligible whispers of advice.
2. “I’m sorry that your brother died, but this isn’t a hotel. Work still goes on here. Make yourself pretty and go upstairs.”
3. He raises the cleaver. An implicit threat.

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3 things about Mati Diop’s ATLANTICS

Posted on January 7, 2020 by robchristopher

Atlantique [2019]

1. Explaining how a corkscrew and a bottle opener work.
2. Virginity test.
3. “He doesn’t even know how to dig!”

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3 things about John Dahl’s THE LAST SEDUCTION

Posted on January 6, 2020 by robchristopher

The Last Seduction [1994]

1. “Just go away.”
“I haven’t finished charming you.”
“You haven’t started.”
2. On top, in control, pounding the roof of the car.
3. Quickly wiping her fingerprints off the can of Mace.

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3 things about Whit Stillman’s THE LAST DAYS OF DISCO

Posted on January 5, 2020 by robchristopher

The Last Days of Disco [1998]

1. Hidden in the sub-basement.
2. “There’s something really sexy about Scrooge McDuck.”
3. “A lot of people like to say they won’t take no for an answer. I just wanted you to know that I’m not one of them. I can be easily discouraged. I will take no for an answer.”

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3 things about Whit Stillman’s BARCELONA

Posted on January 4, 2020 by robchristopher

Barcelona [1994]

1. Reading from the Old Testament while dancing to “Pennsylvania 6-5000.”
2. Jaunty eyepatch.
3. “But they have no idea how delicious hamburgers can be. But it’s this ideal burger of memory we crave not the disgusting imitations you get abroad.”

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