Holy Motors [2012]
1. Gravestones as social media prompts.
2. When there’s no more beholder.
3. Brakelight dialogue.
Holy Motors [2012]
1. Gravestones as social media prompts.
2. When there’s no more beholder.
3. Brakelight dialogue.
I am honored to announce that I’ve been awarded a grant from the Illinois Arts Council Agency, a state agency through federal funds provided by the National Endowment for the Arts. This follows an earlier City of Chicago DCASE grant. Thank you, Illinois! This funding is absolutely crucial as the film enters the final stages of post-production.
I’m going to announce some really cool news about Roy’s World on my blog next Monday, so keep your eyes fastened right here!
Days of Heaven [1978]
1. Making paper flowers.
2. Shoveling the insects by the basketful into the bonfire.
3. “Do you want me to pull it out?”
The Lineup [1958]
1. Dipso.
2. Another film appearance of the Brocklebank Apartments—and the same year as Vertigo!
3. “You’re dead.”
Black Mother [2018]
1. Jamaica has more churches per square mile than any other country.
2. Kool-Aid hypothesis.
3. Fire in the water.
The adjective “visceral” was coined in order to describe the experience of watching this film.
Miller’s Crossing [1990]
1. Wisps of smoke rising from the floor.
2. “It’s not so easy, is it Verna?”
3. Sam Raimi cameo.
Nostalgia [1983]
1. Petting the dog as he drifts off to sleep.
2. The debris is a landscape in miniature.
3. Sheltering the candle with his coat.
Tokyo! [2008]
1. He opens the bathroom door and the chair is sitting in the bathtub.
2. Flowers and money.
3. Neat stacks of pizza boxes.
So-so.
High Life [2018]
1. Learning to walk, learning to stand.
2. A series of dissolves shows him turning into earth.
3. Horizontal golden band.