Ravagers [1979]
1. At first he’s not sure what to do with the fork.
2. Art Carney playing “Tea for Two” on a piano.
3. A bullet to the gut finishes off Ernest Borgnine.
Ravagers [1979]
1. At first he’s not sure what to do with the fork.
2. Art Carney playing “Tea for Two” on a piano.
3. A bullet to the gut finishes off Ernest Borgnine.
Professor Marston and the Wonder Women [2017]
1. “When will you stop justifying the whims of your cock with science?”
2. 50-60% less bondage.
3. A new stove.
American Gigolo [1980]
1. “I know what I see.”
2. Laying out his wardrobe, creating outfits.
3. The ultimate humbling: driving a Pinto.
Interesting that both David Thomson and Bret Easton Ellis write about it in their new books.
Scarlet Street [1945]
1. He carefully, adroitly slices the liver.
2. “I’ve been out to dinner with him three times this week and now he’s talking about breakfast.”
3. A chair for a nightstand.
3 other things. Possibly my favorite Fritz Lang film?
Dark Money [2018]
1. The office is located in its own little house.
2. Why lobby a politician when you can instead buy them outright at the very beginning?
3. A 3-3 vote on everything.
Transit [2018]
1. The whole film is a bartender’s story!
2. Omnipresent heavily-armed guards outside the American Consulate.
3. Suddenly, she’s just not there.
Tightly coiled, frightening, uniquely relevant.
In Harm’s Way [1965]
1. They both toss their pineapple garnishes off the veranda.
2. Bullet through the cheek.
3. “I’m so scared my bones are clicking, like dice on a Reno crap table.”
Man on the Flying Trapeze [1935]
1. Eating toast like it’s corn on the cob.
2. “It must be hard to lose a mother-in-law.”
“Very hard, very hard. Almost impossible.”
3. Filing system.
You Were Never Really Here [2017]
1. Tendrils of her hair.
2. Blood and spilled milk on the kitchen floor near the bowl of cat food.
3. Holding hands.