The Favourite [2018]
1. “Must the duck be here?”
2. Sectional lace-up leather corset.
3. “Have you come to seduce me or rape me?”
“I am a gentleman.”
“So, rape then.”
The Favourite [2018]
1. “Must the duck be here?”
2. Sectional lace-up leather corset.
3. “Have you come to seduce me or rape me?”
“I am a gentleman.”
“So, rape then.”
A Star Is Born [1954]
1. She kisses him first.
2. A tiny, squelched “no.”
3. Spanish musical troupe rehearsing backstage.
Dracula A.D. 1972 [1972]
1. “Com’on Jess, it’s only for a giggle.”
2. A truly great edit: tilt up from a gravestone in 1872 to the sky, in which a jet plane suddenly appears.
3. Bubbling blood and ashes in a chalice.
Last Year at Marienbad [1961]
1. Abandoned tea service on the table in front of her.
2. The group adjourns to the library to research last year’s weather reports.
3. A drawer filled with hundreds of copies of the same photograph.
3 other things. I’d like to live inside this movie sometimes, its stillness and physical spaces. Someday I’ll watch this without subtitles so that I can experience it more purely.
Private Life [2019]
1. He stands up and it’s sticking to his butt.
2. “Scrambled is good, but however you guys do them is fine with me.”
3. Deflating the mattress.
Solo: A Star Wars Story [2018]
1. Singing a duet in the lounge: a chanteuse in gold lamé and a creature in a floating jar.
2. “I hate you.”
“I know you do.”
3. Syringe filled with red goo.
Permanent Vacation [1980]
1. “You know, sometimes I think I should just live fast and die young. And go in a three-piece white suit like Charlie Parker.”
2. He takes off his shoes and really cut loose.
3. Doppler Effect.
A Life of Her Own [1950]
1. Their song is “Invitation.”
2. “She exists and her name is Nora. And that’s all I know about her.”
3. A gimmick that never caught on: cocktail lounges featuring a roving ventriloquist who makes catty observations of the customers’ behavior.
No idea why this film isn’t better known. It was a flop at the time but seen today it’s a pretty perceptive, genuinely feminist melodrama. Turner and Milland have real chemistry. And Ann Dvorak is stunning.
Them That Follow [2019]
1. Tiny spider tattoo on her purlicue.
2. We see her white underwear twice: once when she takes the pregnancy test, and once when she’s assaulted.
3. Stacks of red-covered hymnals on rough-hewn shelves.
A rather intense film featuring lots of creepy snakes, gorgeous landscapes, and an impeccable accent by Olivia Coleman. Ending reminded me of Whatever Happened to Baby Jane?