Barry Lyndon [1975]
1. A plugget of tow.
2. “I volunteer.”
3. A toy carriage pulled along by two sheep.
Barry Lyndon [1975]
1. A plugget of tow.
2. “I volunteer.”
3. A toy carriage pulled along by two sheep.
Autumn Sonata [1978]
1. “A mother and a daughter. What a terrible combination of emotions and confusion and destruction.”
2. Glowing green eyes. Red-rimmed eyes.
3. He closes the envelope but does not seal it.
For Your Eyes Only [1981]
1. “I adore grateful men.”
2. He smuggles pistachios.
3. They plunge through the stained glass window.
2010 [1984]
1. Dusty hull.
2. Red calculator.
3. “I understand now, Dr. Chandra. Thank you for telling me the truth.”
“You deserve it.”
Keeper of the Flame [1943]
1. A junior-sized football.
2. “But I didn’t warn him. Because it came to me. A clean death in the rain was the best thing that could happen to Robert Forrest.”
3. Smoke swirling around them, he almost kisses her. Almost.
Trog [1970]
1. A sort of jumpsuit/smock with lapels on both the front and back.
2. Dinosaur flashback.
3. Impaled on a stalagmite.
Oh, Joan. She really should have called it a day after Night Gallery. What an amazingly poor, ineptly written film.
Inside Daisy Clover [1965]
1. Evening. Near the beach. Sitting outside at a card table with a small lamp on it. The breeze stirs the ribbon in her hair. A worried look on her face.
2. Looping breakdown. ADR booth, film loop, the screen as a prison. Near silence but for the rumbling marimbas.
3. “That’s the new lover. I didn’t get his name, but he sounds charming. Your husband never could resist a charming boy.”
It doesn’t quite work … but it really has something …
Moonraker [1979]
1. Piano dive.
2. “Dr. Goodhead, your desire to be America’s first woman in space will soon be fulfilled.”
3. Spectacular but puzzling: a meeting room that transforms into a rocket combustion chamber.
The Time Machine [1960]
1. Tracks on the ground, tracks on the floor.
2. Apocalypse in 1966.
3. “They never come back.”
Train to Busan [2016]
1. Wrapping their arms in duct tape.
2. Chomping down on a book.
3. How apropos that he ends up getting bitten by the CEO.