3 things about Michael Mann’s HEAT

Heat [1995]

1. On his way out the door he sizes up the unmade bed.
2. Bristle blocks.
3. Shadow on the grass.

Posted in Uncategorized | Tagged , , | Leave a comment

3 things about Alexandra Dean’s BOMBSHELL: THE HEDY LAMARR STORY

Bombshell: The Hedy Lamarr Story [2017]

1. Frequency hopping enabled by player piano concepts.
2. Revolutionary plastic surgery.
3. Samson and Delilah was 1949’s second highest grossing film.

Posted in Uncategorized | Tagged , , | Leave a comment

3 things about Mervyn LeRoy’s FIVE STAR FINAL

Five Star Final [1931]

1. Drunken Karloff.
2. “I rode uptown in a taxi with him and I don’t have any skin left on my knees.”
“What were you two doing? Kneeling in prayer?”
3. He hurls the phone through Hinchecliffe’s office widow.

What it lacks in subtlety it more than makes up for in verve.

Posted in Uncategorized | Tagged , , | Leave a comment

3 things about Howard Hawks’ TO HAVE AND HAVE NOT

To Have and Have Not [1944]

1. He sings “Am I Blue” without changing the gender of the pronouns.
2. “Here’s that bottle again. It’s getting to be quite a problem, isn’t it?
3. The way she flutters her eyelashes after imitating Mme. de Bursac.

3 other things.

Posted in Uncategorized | Tagged , , , | Leave a comment

3 things about Ousmane Sembene’s BLACK GIRL

Black Girl [1966]

1. He opens the door for her suitcase but not for her.
2. “Excuse me. I’ve never kissed a black girl before!”
3. She won’t take his money.

Posted in Uncategorized | Tagged , | Leave a comment

3 things about Lewis Gilbert’s YOU ONLY TWICE

You Only Live Twice [1967]

1. Sofa as battering ram.
2. Burt Kwouk, returning after Goldfinger, as Spectre 3.
3. Too slow on the trigger, Blofeld receives a Chinese star in the hand.

3 other things.

Posted in Uncategorized | Tagged , , , | Leave a comment

3 things about Richard Lester’s PETULIA

Petulia [1968]

1. Hotrodding nuns in the parking garage.
2. Filthy hospital room.
3. Little boxes, on the hillside.

Posted in Uncategorized | Tagged , , , | Leave a comment

3 things about George Cukor’s PAT AND MIKE

Pat and Mike [1952]

1. Changing into a skirt in the back seat of an open convertible.
2. Alfalfa as a busboy.
3. “I can’t handle this in my head. It rocks me.”

Posted in Uncategorized | Tagged , , , , , | Leave a comment

Lilli Carré joins ROY’S WORLD

Since Roy’s World: Barry Gifford’s Chicago is centered on childhood and what it’s like to see the world from a child’s point of view, it seemed entirely fitting to include animation. So I am thrilled to announce that artist Lilli Carré will be contributing animated segments to the documentary. Her films have shown in festivals throughout the US and abroad, a still from WHAT, a video by LILLI CARRÉ including the Sundance Film Festival, the Edinburgh International Film Festival, Animator Festival Poznan Poland, European Media Arts Festival, The Ann Arbor Film Festival, International Festival Rotterdam, and the Punto y Raya Film Festival. In 2010 she co-founded the Eyeworks Festival of Experimental Animation, which is held annually in Chicago, LA, and NYC, with additional curated programs presented internationally throughout the year. Her comics and illustration work has appeared in the New Yorker, The New York Times, Best American Comics, and Best American Nonrequired Reading. Solo exhibitions of her drawing, animation, and sculpture have shown at the Museum of Contemporary Art Chicago, Western Exhibitions, and the Columbus Museum of Art.

In other words, she’s amazing. And amazingly versatile. WHAT is a piece she did that I’m especially fond of. I am really excited to be including her work in the film!

Posted in Uncategorized | Tagged , , , , , , | Leave a comment

3 things about Richard Brooks’s CAT ON A HOT TIN ROOF

Cat on a Hot Tin Roof [1958]

1. “What is the victory of a cat on a hot tin roof?”
“Just stayin’ on it, I guess. Long as she can.”
2. Brown cashmere robe.
3. She obediently locks the bedroom door.

Posted in Uncategorized | Tagged , , , | Leave a comment