Mercury in Retrograde [2017]
1. Periodic pauses for pushups.
2. According to the marquee, moviegoers can expect a double feature of Cool Apocalypse and Henry Gamble’s Birthday Party.
3. “Don’t look now, but Isabelle is making out with Mr. NASCAR.”
Mercury in Retrograde [2017]
1. Periodic pauses for pushups.
2. According to the marquee, moviegoers can expect a double feature of Cool Apocalypse and Henry Gamble’s Birthday Party.
3. “Don’t look now, but Isabelle is making out with Mr. NASCAR.”
His Girl Friday [1940]
1. Three roast beef sandwiches.
2. “It’s getting so a girl can’t leave the room without being discussed by a bunch of old ladies.”
3. Joe Pettibone.
The Whip and the Body [1963]
1. Red-hooded pallbearers.
2. “You’re a fool, Georgia!” (A housekeeper named Georgia?!)
3. Fiery coffin, curling boots.
Children of Men [2006]
1. “That’s the sound of the ear cells dying, like their swan song. Once it’s gone you’ll never hear that frequency again. Enjoy it while it lasts.”
2. Flip-flops. His ugly, battered feet.
3. Michael Caine out of focus during his entire “faith and chance” monologue, and what a brilliant choice.
Wuthering Heights [1939]
1. His right eye partially hidden by a lock of his hair.
2. “I’m not lovely. What I am is very brilliant. I have a wonderful brain. It enables me to be superior to myself.”
3. Deathbed closeup. The progression of emotions across her face.
Lady Bird [2017]
1. A star named Bruce.
2. “I haven’t lied in two years.”
3. Mother and daughter driving over the same bridges at different points in time.
Lovely. It would make a wonderful double feature with 20th Century Women.
In Like Flint [1967]
1. Dolphin talk.
2. “Brain and hair washing at the same time.”
“Exactly.”
3. Operation Smooch.
The Florida Project [2017]
1. “No harm, no foul? No fowl. There’s a joke in there somewhere.”
2. She carefully washes the pony’s mane.
3. “I wish they made forks out of candy. Then you could eat the fork after your meal.”
The Naked City [1948]
1. She fetches a cup of cold tea from the kitchen.
2. J.P. McGillicuddy.
3. We hear traffic noise drifting into the room. Foreshadowing the moment when he makes a dash for the open window.