Home Before Dark [1958]
1. Compulsive smoking.
2. A bank account to which she does not have access, doesn’t even know what bank holds the account.
3. She insists on the Cornet hairstyle, the one her husband has picked out for her.
Home Before Dark [1958]
1. Compulsive smoking.
2. A bank account to which she does not have access, doesn’t even know what bank holds the account.
3. She insists on the Cornet hairstyle, the one her husband has picked out for her.
Cast a Deadly Spell [1991]
1. “Why did you have to walk back into my life?”
“Why did you have to walk out of mine?”
2. Death by papercuts.
3. He explains that zombies are good for about three months, depending on the weather.
The Naked Kiss [1964]
1. One of the greatest opening sequences in the history of cinema: a bald prostitute wailing away on her pimp with a giant handbag to the blasts of wild jazz on the soundtrack.
2. “Nobody sticks dirty money in my mouth!”
3. The same “small town residential street” backlot used in multiple episodes of The Twilight Zone.
Eric LaRue [2023]
1. That “new Bible” smell.
2. A box of Our Family brand cereal.
3. “I saw the inside of those boys.”
Limelight [1952]
1. An extra flea.
2. “That’s all any of us are: amateurs. We don’t live long enough to be anything else.”
3. Slippery sheet music.
Loving Vincent [2017]
1. Watching the rain through the cafe windows.
2. He takes a few paintings in lieu of a bill.
3. A chair at the edge of a field.
When Pigs Fly [1993]
1. Half-eaten sandwich next to him on the bed.
2. Impromptu bop to “A Night in Tunisia.”
3. Pieces of chair tied to their heads.
The Bitter Stems [1956]
1. Looking through the window of the train into the past.
2. A strategically loud orchestra.
3. Shallow planting.
The Flintstones [1994]
1. Kids playing in Jurassic Park.
2. He ignores his mother-in-law and unties the pet dino.
3. The invention of concrete.
Last Summer [2023]
1. Disassociated orgasm.
2. “Your son’s a monster. Get that into your head.”
3. Woodshed.