3 things about John Glen’s LICENCE TO KILL

Licence to Kill [1989]

1. Just plain wrong: Bond orders a “Bud with lime.”
2. Benicio Del Toro disappears in a cloud of bloody red coke dust.
3. “Bless your heart!” says Wayne Newton.

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3 things about George A. Romero’s SURVIVAL OF THE DEAD

Survival of the Dead [2009]

1. Ring around the rosie.
2. Fire extinguisher.
3. It’s not a good idea to approach your dead sister because you think she still recognizes you.

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3 things about Frank Lloyd’s MUTINY ON THE BOUNTY

Mutiny on the Bounty [1935]

1. He insists on carrying out the punishment. Gable flinches.
2. One by one they refuse the cheese.
3. “I don’t detest facts, I’m indifferent towards them.”

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3 things about Fritz Lang’s METROPOLIS

Metropolis [1927]

1. They trudge back to Worker’s Town. Looks just a Roger Brown painting.
2. Neon squiggle desk lamp.
3. “Come! It is time to give the Machine-Man your face!”

Yesterday I saw the newly restored version. I’ll be writing more about it on Tuesday.

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3 things about Fred Zinnemann’s JULIA

Julia [1977]

1. “It’s the best play anyone’s written in a long time.”
Pause. “Are you sure?” she asks.
He walks over to her. “I’m positive.” He smiles.
She returns the smile. Then it turns into a frown. “But are you sure?”
2. He lifts his lapel and sniffs the rose stuck in the buttonhole. “I hear the girls in Paris are wearing watches on their ankles.”
3. Julia’s hand slowly moves along the sheet until it reaches Lillian’s.

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2 Recent Movie Dreams

1.
I was playing Addison De Witt in a remake of All About Eve, opposite Brad Pitt. It wasn’t clear why he was starring in the film or even what character he was playing. He was also directing. It seemed as if the screenplay had been so extensively retooled that the character of Eve was no longer even a part of the story. It was a rom-com; Brad and I competed for the girl. We were rehearsing a long scene, to be shot in a single take, and I was having trouble remembering my lines. I hadn’t paid any attention to the script beforehand. I pointed to the script and said, “Can I say something different here? I’m playing Addison De Witt my way, not the way George Sanders played him.” Brad told me it was okay to improvise. One of the lines I made up involved a very precise description of what I had just eaten for breakfast.

2.
My mother and I were having a conversation about something or another, when out of the blue she said, “You know, I read what you wrote about Kubrick’s films. You didn’t fool me–I knew you were actually writing about yourself.” I was very coy at first and then I got really defensive. I said, “No way. I don’t have enough money to live like Kubrick’s movies! They’re expensive fantasies. I can’t live on that scale. My life is totally different.”

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3 things about Jack Garfein’s THE STRANGE ONE

The Strange One [1957]

1. “She’s not entirely thin. In fact, from the right angle, she looks like a plate of Jell-O.”
2. He casually lifts his leg, and at once Simmons rushes over and begins to polish his shoe.
3. Cockroach puts his hand on Jocko’s thigh, and Jocko lets it rest there for a moment before standing up.

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3 things about Marcel Camus’ BLACK ORPHEUS

Black Orpheus [1959]

1. A chicken and a cat on a table. The chicken is named Caruso.
2. Through the doorway we see a desk stacked with huge piles of paper, Kafka-style.
3. When the woman begins to take on the spirit, a cigar is placed between her lips.

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3 things about Werner Herzog’s ENCOUNTERS AT THE END OF THE WORLD

Encounters at the End of the World [2007]

1. The iceberg is larger than the one that sunk the Titanic. It’s larger than the Titanic itself. It’s larger even than the country that produced the Titanic.
2. They all lie down, their ears to the ice, to listen to the calls of the seals.
3. A perfectly preserved pantry, over a century old, an “extinct supermarket.”

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3 things about J.C. Calciano’s IS IT JUST ME?

Is It Just Me? [2010]

1. Plain white boxers.
2. “Don’t do what you think you should do. Do what you know you should do.”
3. He walks to the door with the cold bottle of beer between his legs.

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