Tag Archives: 3 things

3 things about Robert Altman’s BEYOND THERAPY

Beyond Therapy [1987] 1. Periodic offscreen car crashes. 2. “I don’t think we’ve been properly introduced. My name is Bob.” “I get off in five minutes.” “I’ll be sitting here with my mother.” 3. While everyone else eats dessert, she … Continue reading →

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3 things about Roberto Rossellini’s GERMANY YEAR ZERO

Germany Year Zero [1948] 1. The truck goes over some potholes, jolting a few lumps of coal onto the road. A small crowd dashes over to pick them up. 2. The recording of a Hitler speech echoes through the ruins. … Continue reading →

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3 things about David Lynch’s DUNE

Dune [1984] 1. The ducal pug. 2. “Remember, walk without rhythm and you won’t attract the worm.” 3. Snack time. He rips off a chunk of flesh from a dead cow (horse?) suspended upside down from the ceiling. 3 other … Continue reading →

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3 things about Francis Ford Coppola’s APOCALYPSE NOW

Apocalypse Now [1979] 1. The inside of the trailer could be anywhere in America. 2. “I don’t see any method at all, sir.” 3. Neck slice.

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3 things about Lucrecia Martel’s THE HEADLESS WOMAN

The Headless Woman [2008] 1. Two kid-sized handprints on the window. 2. She never says “Please” or “Thank you.” 3. The shirts are all too small. He takes them anyway. 3 other things.

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3 things about John Cassavetes’ A BUNCH OF BANANAS

A Bunch of Bananas [1975] 1. He starts stomping around the room in a rage. She joins in, then takes his hand. They begin an impromptu softshoe dance. 2. “What in God’s green … why in hell didn’t you tell … Continue reading →

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3 things about Fritz Lang’s MINISTRY OF FEAR

Ministry of Fear [1943] 1. Cake crumbs on the seat, on the leg of his pants, on the floor of the train. 2. Seance: a circle. Astrological symbols on the floor like the numbers on a clockface. Dan Duryea’s fallen … Continue reading →

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3 things about Evan Goldberg & Seth Rogen’s THE INTERVIEW

The Interview [2014] 1. “That’s not the first rule of journalism! That’s the first rule of circuses and demolition derbies!” 2. Fake grapefruit. 3. Ten second sex scene.

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3 things about Martin Scorsese’s SHINE A LIGHT

Shine a Light [2008] 1. Marty begs for a set list. 2. “We’re both pretty lousy, but together we’re better than ten other men.” 3. Buddy Guy shows up and shows how it’s done. As someone who’s indifferent to the … Continue reading →

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3 things about Manoel de Oliveira’s BELLE TOUJOURS

Belle Toujours [2006] 1. He notices her, cranes in for a better look. When he’s knows for sure it’s her, he smiles and leans back in his seat. 2. She snaps the box shut and says, “It doesn’t interest me … Continue reading →

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