Tag Archives: colorist

Nicholas Coyle, who did such an amazing job on my previous film, has delivered the goods once again. Here’s an action shot of him doing his thing. Since Roy’s World: Barry Gifford’s Chicago almost entirely consists of archival visuals, it … Continue reading

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For a picture you hear with your eyes.

Previously I posted about the importance of color correction in the post-production phase of filmmaking. Well, my movie’s in good hands. I’m pleased to announce that Nicholas Coyle will be the colorist for Pause of the Clock. An early and … Continue reading

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What we talk about when we talk about color correction.

The biggest item in my Kickstarter budget for Pause of the Clock is color correction. You might ask yourself, what the heck does that mean exactly? Perhaps something like Ted Turner fiddling around with some knobs on a console? Not … Continue reading

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