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Fresh Tweets
- Music from the shoreline shopping mall nightclub of your most intimate fantasy. Turn down the lights and get closer. mypetflamingo.bandcamp.com/album/couples-… 11 hours ago
- Looking forward to catching the newest Terrence Davies masterpiece at @CriticsFf today. 19 hours ago
- 3 things about James Ivory’s A ROOM WITH A VIEW randomcha.net/2022/05/15/3-t… 20 hours ago
- RT @Whimsurge: #KevinCostner #Film #Movies https://t.co/YFVM2hUFv1 1 day ago
- 3 things about Michelangelo Antonioni’s RED DESERT randomcha.net/2022/05/14/3-t… 1 day ago
- Watching RED DESERT and A ROOM WITH A VIEW in quick succession has given me a certain amount of whiplash. 1 day ago
- I pre-ordered this so fast I frightened myself. Heads up @freemorpheme. twitter.com/numerogroup/st… 2 days ago
- RT @Criterion: Farewell to the great actor Fred Ward, seen here in SHORT CUTS (1993), one of his memorable collaborations with Robert Altma… 2 days ago
- Would you like to be my boss? Seriously. recruiting.ultipro.com/AME1043ALA/Job… 2 days ago
- Ridiculously excited about this. twitter.com/musicboxtheatr… 3 days ago
Monthly Archives: July 2020
3 things about Paul Thomas Anderson’s PHANTOM THREAD
Phantom Thread [2017] 1. When it comes to porridge, cream makes all the difference.2. Lace from the 1600s.3. “I’m not moaning. I don’t want to be ignored.”“No one does. But I don’t want to hear about it because it hurts … Continue reading
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3 things about Paul Thomas Anderson’s PUNCH-DRUNK LOVE
Punch-Drunk Love [2002] 1. Dusty footfalls. 2. The way Luiz Guzmán says, “Which guy in Toledo are you talking about?” 3. Twilight Mai Tais on the beach at the Royal Hawaiian Hotel. 3 other things.
3 things about Andre De Toth’s DAY OF THE OUTLAW
Day of the Outlaw [1959] 1. Grisly bullet removal. 2. He doesn’t want to dance. He holds her by the shoulders and says, “I want to look at you.” 3. “I’m not doing anything special. Just taking some bad men … Continue reading
3 things about Sergio Leone’s DUCK YOU SUCKER
Duck You Sucker [1971] 1. “Where there’s revolution there’s confusion, and when there’s confusion, a man who knows what he wants stands a good chance of getting it.” 2. His eyes complete the torn poster. 3. Incredible mobile shot detailing … Continue reading
3 things about Yorgos Lanthimos’s THE KILLING OF A SACRED DEER
The Killing of a Sacred Deer [2017] 1. General anesthesia. 2. Nice, clean, beautiful hands. 3. Pillowcases.
3 things about Alfred Hitchcock’s VERTIGO
Vertigo [1958] 1. “It’s new and clean and waiting.” 2. “See? There’s an answer for everything.” 3. “I don’t think Mozart’s going to help at all.” A poem about Vertigo.
3 things about James Mangold’s FORD V FERRARI
Ford v Ferrari [2019] 1. A tip of the hat. 2. Wonder Bread as weapon. Llama bite. 3. Mallet to the door.
3 things about Justin Pemberton’s CAPITAL IN THE TWENTY-FIRST CENTURY
Capital in the Twenty-First Century [2019] 1. Graffiti: Liberté Egalité Beyoncé 2. Not one of the winners mentioned the fact they’d started the game with an advantage. 3. Comparing workers to horses. What a disappointment. Wealth inequality is an urgent … Continue reading
3 things about Gordon Douglas’s LADY IN CEMENT
Lady in Cement [1968] 1. A queen in motorcycle glasses and tight pants, whose bodyguard/lover is a former Green Bay Packer. 2. He asks the drug dealer how he likes his meat. 3. “Daniel Boone” playing on a TV set … Continue reading
3 things about Gordon Douglas’s TONY ROME
Tony Rome [1967] 1. Snoozing with a Yiddish newspaper draped over his face. 2. “You shouldn’t have gotten mixed up with a family like ours.” “This is not a family. Just a bunch of people living at the same address.” … Continue reading