Author Archives: robchristopher

3 things about Richard T. Heffron’s FUTUREWORLD

Futureworld [1976] 1. Come on … Spaworld? 2. “Are you going to do it? “Do what, Ron?” “Have sex with a robot?” “Not this trip, Ron.” 3. Melancholy, faceless Clark.

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3 things about Michael Crichton’s WESTWORLD

Westworld [1973] 1. “Begin bar fight.” 2. The river gradually transitions from the old West into Romanworld. Broken statuary. 3. Smoldering face cavity.

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3 things about Gordon Douglass’s SINCERELY YOURS

Sincerely Yours [1955] 1. An exterior shot of Madeleine Elster’s apartment from Vertigo! 2. “Do you want to touch me?” The woman reaches out and gingerly pokes him on the leg. “A little higher, honey. About here is where I … Continue reading →

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It is happening again.

On Sunday, December 10: another Chicago screening of Pause of the Clock. It’s at Transistor in Andersonville and it’s free! My film pal Michael Glover Smith will be on hand to introduce the movie and then lead a Q & … Continue reading →

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3 things about Stephen Cone’s PRINCESS CYD

Princess Cyd [2017] 1. The sound of an airplane periodically invades their conversation. A very slow zoom in and then, in the middle of her story, a cut. 2. “What will I do without you?” “Probably whatever you did a … Continue reading →

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3 things about Oscar Bucher’s NELSON ALGREN LIVE

Nelson Algren Live [2016] 1. Neon sign for Fritzel’s. 2. Making room. 3. The look on Rick Kogan’s face as he watches Willem Dafoe perform “The Lightless Room.”

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A fantastic evening!

I’d like to thank everyone who made the show such a success! Especially Keefe Jackson and Mike Reed, who joined the lineup late in the game and still delivered killer performances. It was an amazingly exciting evening. And thank you … Continue reading →

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669 posts.

That’s how many I wrote under my own name, and there are many others I wrote (including several collaborations) that were posted by someone else. The first post I wrote for Chicagoist was in 2006 (about, ugh, The Bachelor: Rome) … Continue reading →

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“The approach is unorthodox, but so is the film-in-the-making–“

Whoa! Jason and I were interviewed by legendary jazz critic Howard Reich about the film! Oh, and guess what? You can follow @RoysWorldFilm on Twitter.

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3 things about Roger Corman’s THE PREMATURE BURIAL

The Premature Burial [1962] 1. Bloody fingernail prints on the inside lid of the coffin. 2. Precision whistling. 3. The look on his face when he throws the switch; on the right side of the frame, Dr. Gault’s juttering shadow.

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