A fantastic evening!

L to R: Jason Adasiewicz, Joshua Abrams, Keefe Jackson, Josh Berman, Barry Gifford. (Mike Reed not pictured.) Performing at Constellation in Chicago, 4 November 2017.

L to R: Jason Adasiewicz, Joshua Abrams, Keefe Jackson, Josh Berman, Barry Gifford. (Mike Reed not pictured.) Performing at Constellation in Chicago, 4 November 2017.

I’d like to thank everyone who made the show such a success! Especially Keefe Jackson and Mike Reed, who joined the lineup late in the game and still delivered killer performances. It was an amazingly exciting evening.

L to R: Jason Adasiewicz, Keefe Jackson, Joshua Abrams. Josh Berman, Mike Reed. Performing at Constellation in Chicago, 4 November 2017.

L to R: Jason Adasiewicz, Keefe Jackson, Joshua Abrams, Josh Berman, Mike Reed. Performing at Constellation in Chicago, 4 November 2017.

And thank you Andy Steadham for the snapshots.

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669 posts.

That’s how many I wrote under my own name, and there are many others I wrote (including several collaborations) that were posted by someone else.

The first post I wrote for Chicagoist was in 2006 (about, ugh, The Bachelor: Rome) and my last was just a few months ago, a roundup of five original cocktails I created in honor of Twin Peaks: The Return. And now, Chicagoist is no more.

It’s true that over the past few years I had pulled away from Chicagoist because of other projects. Well, I guess I don’t need to worry about accidentally burning my bridges anymore. Seriously though, writing for Chicagoist changed my life in so many positive ways I couldn’t possibly count them all. Not least of which was meeting awesome writers and editors like Anthony Todd and Marcus Gilmer and Jim Kopeny (and everyone else … like Scott Smith … you know who you are). And of course writing for Chicagoist was absolutely the catalyst for once again focusing my brain and energy on the world of film, and that lead me to finishing Pause of the Clock and starting my new project. So, I am so grateful.

Here’s a quick spin through some of the amazing folks I was able to interview because of Chicagoist: Don Klugman, Brad Bischoff, Wyndham Wallace, J.R. Jones, Michael Kaplan, Andrew Bujalski, Stephen Cone, Leonard Maltin, Paul McGee, Gabe Klinger, Tippi Hedren, Greg Allen, Eva Marie Saint, Marty Rubin, Jeffrey Brown, Bob Balaban, Wallace Shawn, Alan Arkin, Ignatius Vishnevetsky, Joe Swanberg, Christian Friedel, Daniel Kraus, Lucas Hilderbrand, Neil Ortenberg, Andrew Davis, Brian Jun … And it was through meeting both Barry Gifford and Jason Adasiewicz for Chicagoist that Roy’s World was born.

It was the relentless pace of writing 2-3 posts every week for several years that honed my word skills and shut down my proclivity towards procrastination. My postmortem of the aborted Chicago Trader Vic’s is a piece I’m still proud of.  I was never in it for the money. Most of all I just loved having the chance to write about stuff I loved, stuff I’d heard or seen or read that excited me. Chicagoist was a unique platform that will never really be equaled.

So RIP Chicagoist, and screw you Mr. Ricketts.

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“The approach is unorthodox, but so is the film-in-the-making–“

Whoa! Jason and I were interviewed by legendary jazz critic Howard Reich about the film!

Oh, and guess what? You can follow @RoysWorldFilm on Twitter.

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3 things about Roger Corman’s THE PREMATURE BURIAL

The Premature Burial [1962]

1. Bloody fingernail prints on the inside lid of the coffin.
2. Precision whistling.
3. The look on his face when he throws the switch; on the right side of the frame, Dr. Gault’s juttering shadow.

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a new interview with myself and co-producer Michael Glover Smith.

Check it out! In advance of the super awesome Constellation show on Saturday, WDCB’s Gary Zidek talked with us about Roy’s World. It’s also your first chance to hear Matt Dillon’s narration as well as more of Jason Adasiewicz’s cool tunes!

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3 things about Robert Aldrich’s WHAT EVER HAPPENED TO BABY JANE?

What Ever Happened to Baby Jane? [1962]

1. She blows the drifting feather away from her face.
2. Her face as seen through a shelf of empty bottles.
3. Cramming the chocolates into her mouth. Continuing to munch as she examines the headshots.

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3 things about Irvin S. Yeaworth Jr.’s THE BLOB

The Blob [1958]

1. Hunting for staples.
2. The audience all laughing together at the horror movie. The Blob oozes its way through the windows of the projection booth.
3. Who knew that the last two lines of the movie would be so haunting in the year 2017?
“At least we’ve got it stopped.”
“Yeah, as long as the Arctic stays cold.”

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3 things about Stuart Gordon’s RE-ANIMATOR

Re-Animator [1985]

1. “He’s not insane. He’s dead.”
2. Dr. Hill is a cross between Fritz Weaver and John Kerry.
3. Intestine-tentacle.

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3 things about Don Siegel’s THE KILLERS

The Killers [1964]

1. Reagan’s hair in 1964 is exactly how it would look for the rest of his life.
2. “If I knew you were coming I would have burned the place down.”
3. He says, “Lady, I don’t have the time,” then shoots her.

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3 things about Guillermo del Toro’s THE SHAPE OF WATER

The Shape of Water [2017]

1. Portable record player.
2. He looks over at the cat and says, “You’re lucky.”
3. The slashes on her throat become gills.

Exquisite and lovely and haunting and pretty much perfect.

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