3 things about OLIVER & COMPANY

Oliver & Company [1988]

1. Garland of frankfurters.
2. Bluebirds swooning over a poodle?
3. Sappy bedtime story.

Just wrong.

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3 things about Alfred Hitchcock’s SUSPICION

Suspicion [1941]

1. “I’m honest because with you I think it’s the best way to get results.”
2. A game of Anagrams.
3. The car turns around and the film ends.

3 other things.

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3 things about Yasujirô Ozu’s TOKYO STORY

Tokyo Story [1953]

1. There are only two camera movements in the entire film.
2. The young people are always telling them they must be tired; they aren’t, but nevertheless agree out of politeness.
3. “You may be happy while you’re still young. But as you become older, you’ll find it lonely.”
“I won’t get that old, so don’t worry.”

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3 things about Steven Soderbergh’s PRESENCE

Presence [2024]

1. He points out that her approach to problems always seems to involve taking no action.
2. An unexpected reflection.
3. “Make good choices. The bad ones tend to affect you for the rest of your life.”

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3 things about Frederick Wiseman’s ASPEN

Aspen [1991]

1. “I’m here to tell you, the way to grow old gracefully is to get cosmetic surgery.”
2. Brief appearances by John Denver and Ed Bradley!
3. The artist noticed which way the art world was going. Conservative. She switched from abstract expressionism back to realism.

Just a shade below The Store for me on the Wiseman scale, but this is still an incredibly rich mosaic that nails exactly how Colorado felt in the very early 90s. When the pastor drops a reference to the Broncos in his sermon I was like, yup, that’s on point.

Some have said this is Wiseman’s funniest film and there’s definitely a case to be made. Because among other things Aspen is a nonstop cavalcade of period fashion, especially sweaters: the gorgeous, the boring, the horrifically ugly. And then there’s the rich gay with a blonde mullet who’s sporting a fuchsia onesie, belted, with a fleecy white vest. That’s the power of documentary.

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3 things about Merlin Crossingham & Nick Park’s WALLACE & GROMIT: VENGEANCE MOST FOWL

Wallace & Gromit: Vengeance Most Fowl [2024]

1. Snoozy Choc.
2. Unexpected turnip.
3. An elevated waterway for barges.

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3 things about Jonathan Demme’s LAST EMBRACE

Last Embrace [1979]

1. Sweaty Roy Scheider in black bikini briefs.
2. The walls of the secret office and lined with compact shelving.
3. Commandeering a chunky tourist bus.

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3 things about Azazel Jacobs’ HIS THREE DAUGHTERS

His Three Daughters [2024]

1. Sometimes someone doesn’t call 9-1-1 right away.
2. A variation on Ozu’s bottle shots.
3. Even afterwards, she still goes outside to smoke up.

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David Lynch, 1946 – 2025.


RIP David Lynch.

Though I knew this day would come, I’m still very sad. I can’t calculate the effect that seeing the very first episode of Twin Peaks had on me when I was only 14, except that it quite literally altered the course of my life. It opened up completely new worlds to me, completely fresh ways of seeing and experiencing life. Lynch’s films eventually led me to the work of Barry Gifford, which in turn led me towards making Roy’s World: Barry Gifford’s Chicago. And it was the thrill of my life when Barry shared my film with “Dave” and the word came back that he loved it.

As long as human beings are still watching cinema, his films will be there to inspire, perplex, and thrill.

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3 things about Brady Corbet’s THE BRUTALIST

The Brutalist [2024]

1. “Everything that is ugly…”
2. He lays his cheek upon the marble and exhales.
3. The jazz club scene–echoes of I Am Cuba?

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